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JACK STRONG TAKES A STAND

A cautionary tale the whole family will find amusing and enlightening

Jack Strong is an ordinary kid with an extraordinary schedule who finally chooses to become a couch potato to make his point.

Cello, soccer, tennis, EMT training, Chinese: Jack’s parents, especially his dad, expect him to be a well-rounded person when it becomes time to apply for college, and to this end, they are filling his days with an overload of extracurricular activities. But what Jack really wants is more time on his couch, where he can spend some quality time daydreaming. One afternoon, Jack can’t take it anymore and goes on strike; he refuses to get off the couch until his parents agree to let him quit the activities he doesn’t like to do. Publicity and hilarity ensue, which Jack finds a nice change, but soon he realizes there are greater things worth standing up for, like the very family he’s angry at. Greenwald, author of the Charlie Joe Jackson series, writes with a relaxed tone that young readers will identify with, and he touches on subjects that kids and parents alike will find relevant, capturing the conundrum of overscheduling with poignancy and humor. While a few plot points are a little far-fetched, overall the book offers a winning combination of ethics and slapstick. Drawings by Mendes are simple but effective. 

A cautionary tale the whole family will find amusing and enlightening . (Fiction. 8-11)

Pub Date: Sept. 24, 2013

ISBN: 978-1-59643-836-1

Page Count: 240

Publisher: Roaring Brook Press

Review Posted Online: June 25, 2013

Kirkus Reviews Issue: July 15, 2013

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ESCAPE FROM BAXTERS' BARN

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: March 31, 2015

Kirkus Reviews Issue: April 15, 2015

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MUSTACHES FOR MADDIE

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean.

A 12-year-old copes with a brain tumor.

Maddie likes potatoes and fake mustaches. Kids at school are nice (except one whom readers will see instantly is a bully); soon they’ll get to perform Shakespeare scenes in a unit they’ve all been looking forward to. But recent dysfunctions in Maddie’s arm and leg mean, stunningly, that she has a brain tumor. She has two surgeries, the first successful, the second taking place after the book’s end, leaving readers hanging. The tumor’s not malignant, but it—or the surgeries—could cause sight loss, personality change, or death. The descriptions of surgery aren’t for the faint of heart. The authors—parents of a real-life Maddie who really had a brain tumor—imbue fictional Maddie’s first-person narration with quirky turns of phrase (“For the love of potatoes!”) and whimsy (she imagines her medical battles as epic fantasy fights and pretends MRI stands for Mustard Rat from Indiana or Mustaches Rock Importantly), but they also portray her as a model sick kid. She’s frightened but never acts out, snaps, or resists. Her most frequent commentary about the tumor, having her skull opened, and the possibility of death is “Boo” or “Super boo.” She even shoulders the bully’s redemption. Maddie and most characters are white; one cringe-inducing hallucinatory surgery dream involves “chanting island natives” and a “witch doctor lady.”

Medically, both squicky and hopeful; emotionally, unbelievably squeaky-clean. (authors’ note, discussion questions) (Fiction. 9-11)

Pub Date: Oct. 3, 2017

ISBN: 978-1-62972-330-3

Page Count: 256

Publisher: Shadow Mountain

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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