A searing study of the consequences of a genocide.
A lyrical, multigenerational exploration of Native American oppression.
Orange’s second novel is partly a sequel to his acclaimed 2018 debut, There There—its second half centers on members of the Red Feather family after the events of the first book. But Orange moves the story back as well as forward. He rewinds to 1864’s Sand Creek Massacre, in which Natives were killed or displaced by the U.S. Army. One survivor (and Red Feather family ancestor), Jude Star, is a mute man imprisoned and sent to Carlisle Indian Industrial School, one of several institutions designed to strip Native Americans of their history and folklore. As Orange tracks the generations that follow, he suggests that such schools did their jobs well, but imperfectly—essential traces of Native heritage endure despite decades of murder, poverty, and addiction. That theme crystallizes as the story shifts to 2018, depicting Orvil Red Feather’s struggles after he was shot at a powwow in Oakland, California. His path is perilous, especially thanks to a school friend with easy access to addictive pain medications. But Orvil doesn’t quite lose his grip on history, whether that’s through stories of his mother participating in the 19-month Native American occupation of Alcatraz from 1969 to 1971, or cowboys-and-Indians lore he contemplates while playing Red Dead Redemption 2. “Everyone only thinks we’re from the past, but then we’re here, but they don’t know we’re still here,” as Orvil’s brother Lony puts it. Orange is gifted at elevating his characters without romanticizing them, and though the cast is smaller than in There There, the sense of history is deeper. And the timbre of individual voices is richer, from Orvil’s streetwise patter to the officiousness of Carlisle founder Richard Henry Pratt, determined to send “the vanishing race off into final captivity before disappearing into history forever.” He failed, but this is a powerful indictment of his—and America’s—efforts.
A searing study of the consequences of a genocide.Pub Date: Feb. 27, 2024
ISBN: 9780593318256
Page Count: 336
Publisher: Knopf
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
BOOK REVIEW
PERSPECTIVES
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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