WANDERING STARS

A lyrical, multigenerational exploration of Native American oppression.

Orange’s second novel is partly a sequel to his acclaimed 2018 debut, There There—its second half centers on members of the Red Feather family after the events of the first book. But Orange moves the story back as well as forward. He rewinds to 1864’s Sand Creek Massacre, in which Natives were killed or displaced by the U.S. Army. One survivor (and Red Feather family ancestor), Jude Star, is a mute man imprisoned and sent to Carlisle Indian Industrial School, one of several institutions designed to strip Native Americans of their history and folklore. As Orange tracks the generations that follow, he suggests that such schools did their jobs well, but imperfectly—essential traces of Native heritage endure despite decades of murder, poverty, and addiction. That theme crystallizes as the story shifts to 2018, depicting Orvil Red Feather’s struggles after he was shot at a powwow in Oakland, California. His path is perilous, especially thanks to a school friend with easy access to addictive pain medications. But Orvil doesn’t quite lose his grip on history, whether that’s through stories of his mother participating in the 19-month Native American occupation of Alcatraz from 1969 to 1971, or cowboys-and-Indians lore he contemplates while playing Red Dead Redemption 2. “Everyone only thinks we’re from the past, but then we’re here, but they don’t know we’re still here,” as Orvil’s brother Lony puts it. Orange is gifted at elevating his characters without romanticizing them, and though the cast is smaller than in There There, the sense of history is deeper. And the timbre of individual voices is richer, from Orvil’s streetwise patter to the officiousness of Carlisle founder Richard Henry Pratt, determined to send “the vanishing race off into final captivity before disappearing into history forever.” He failed, but this is a powerful indictment of his—and America’s—efforts.

A searing study of the consequences of a genocide.