Impressionistic watercolor illustrations filled with blowing snow and blue-gray skies set a wintry tone in this poetic exploration focusing on the sounds and sights of Christmas Eve, such as a church bell ringing from “an icicle-pointed steeple.” Johnston’s poem uses the word “Noel” in bold type throughout the text to indicate the sound of the church bell, but there are also the sounds of a brass band, sleigh bells and Christmas carols. The text is full of sensory details of all sorts: “a dark snow-smell,” “ears red with cold,” a tree decorated with cookies and candies. Chee’s soft-focus watercolors show just enough to draw the reader into each scene, while holding back specifics so that the viewer has to participate in the art by filling in some of the details. His impressionistic paintings are a fine match for the poem that serves as the text: Both seem to say that the hours of Christmas Eve rush by quickly in a blur of sensations too intense to last. (artist’s note) (Picture book. 5-8)
Pub Date: Sept. 1, 2005
ISBN: 1-57505-752-2
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2005
This heavily earnest celebration of multi-ethnicity combines full-bleed paintings of smiling children, viewed through a golden haze dancing, playing, planting seedlings, and the like, with a hyperbolic, disconnected text—``Dark as leopard spots, light as sand,/Children buzz with laughter that kisses our land...''— printed in wavy lines. Literal-minded readers may have trouble with the author's premise, that ``Children come in all the colors of the earth and sky and sea'' (green? blue?), and most of the children here, though of diverse and mixed racial ancestry, wear shorts and T-shirts and seem to be about the same age. Hamanaka has chosen a worthy theme, but she develops it without the humor or imagination that animates her Screen of Frogs (1993). (Picture book. 5-7)
Pub Date: Aug. 1, 1994
ISBN: 0-688-11131-9
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1994
A touching, beautifully illustrated story of greatest interest to those in the New York City area.
A pair of cardinals is separated and then reunited when their tree home is moved to New York City to serve as the Rockefeller Center Christmas tree.
The male cardinal, Red, and his female partner, Lulu, enjoy their home in a huge evergreen tree located in the front yard of a small house in a pleasant neighborhood. When the tree is cut down and hauled away on a truck, Lulu is still inside the tree. Red follows the truck into the city but loses sight of it and gets lost. The birds are reunited when Red finds the tree transformed with colored lights and serving as the Christmas tree in a complex of city buildings. When the tree is removed after Christmas, the birds find a new home in a nearby park. Each following Christmas, the pair visit the new tree erected in the same location. Attractive illustrations effectively handle some difficult challenges of dimension and perspective and create a glowing, magical atmosphere for the snowy Christmas trees. The original owners of the tree are a multiracial family with two children; the father is African-American and the mother is white. The family is in the background in the early pages, reappearing again skating on the rink at Rockefeller Center with their tree in the background.
A touching, beautifully illustrated story of greatest interest to those in the New York City area. (author’s note) (Picture book. 5-8)Pub Date: Sept. 19, 2017
ISBN: 978-0-7636-7733-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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