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SEQUOIA

Minor’s paintings are glorious; the textual conceit is a little overdone

A giant sequoia experiences the world around “him” in Johnston’s romantic, image-laden, anthropomorphic rendering of the life experiences of the largest tree on the planet.

This sequoia “feels,” “waits,” “counts,” “gazes,” “tells”—all verbs attributed to Sequoiadendron giganteum. The author describes large and small events that occur: Birds and beasts visit and shelter, weather changes, forest fires rage, seasons turn. It is all very poetic and expresses the author’s subjective understanding of the sequoia. Fortunately, facts about the great trees are nicely summarized in endnotes. Minor’s gouache watercolors convey the action and present a more realistic picture of the theme. He shows the tree, the changing seasons, the sky, the animals and birds that live in the tree’s branches, roots, environs. Occasionally he demands a 90-degree turn of the book, so readers can see a (relatively) tiny bear dwarfed by the towering tree. His paintings give the words life, although the animals are not identified: Is that a ground squirrel or a chipmunk? a crow or a raven? and what species is the owl flying in the moonlight? Perhaps it does not matter, since this is impressionistic free verse, lines often breaking with no apparent poetic need, rather than natural history.

Minor’s paintings are glorious; the textual conceit is a little overdone . (Picture book. 3-7)

Pub Date: Sept. 23, 2014

ISBN: 978-1-59643-727-2

Page Count: 40

Publisher: Neal Porter/Roaring Brook

Review Posted Online: July 15, 2014

Kirkus Reviews Issue: Aug. 1, 2014

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IZZY GIZMO AND THE INVENTION CONVENTION

From the Izzy Gizmo series

A disappointing follow-up.

Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).

While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.

A disappointing follow-up. (Picture book. 3-6)

Pub Date: March 1, 2020

ISBN: 978-1-68263-164-5

Page Count: 32

Publisher: Peachtree

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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A LIBRARY

A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter.

A love letter to libraries.

A Black child, with hair in two puffballs tied with yellow ribbons, a blue dress with a Peter Pan collar, and black patent leather Mary Janes, helps Grandmother with the housework, then, at Grandmother’s suggestion, heads to the library. The child’s eagerness to go, with two books under an arm and one in their hand, suggests that this is a favorite destination. The books’ wordless covers emphasize their endless possibilities. The protagonist’s description of the library makes clear that they are always free to be themselves there—whether they feel happy or sad, whether they’re reading mysteries or recipes, and whether they feel “quick and smart” or “contained and cautious.” Robinson’s vibrant, carefully composed digital illustrations, with bright colors that invite readers in and textures and patterns in every image, effectively capture the protagonist’s passion for reading and appreciation for a space where they feel accepted regardless of disposition. In her author’s note, Giovanni states that she spent summers visiting her grandmother in Knoxville, Tennessee, where she went to the Carnegie Branch of the Lawson McGhee Library. She expresses gratitude for Mrs. Long, the librarian, who often traveled to the main library to get books that Giovanni could not find in their segregated branch. (This book was reviewed digitally.)

A lushly illustrated homage to librarians who provide a welcome and a home away from home for all who enter. (Picture book. 4-7)

Pub Date: Sept. 27, 2022

ISBN: 978-0-358-38765-7

Page Count: 32

Publisher: Versify/HarperCollins

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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