by Tony Johnston ; illustrated by Christine Davenier ‧ RELEASE DATE: Aug. 1, 2013
Children will likely enjoy this visit to a newly united neighborhood, even if the catalyst for its creation is more device...
A friendly cat worms his way into the affections of a number of neighbors, gains new names (and enough extra meals to pack on a few pounds), and eventually brings together residents new and old.
Variously christened “Stuart Little,” “Kitty-boy,” “Placido,” “Mooch,” “Dove” and “Mouse,” the round gray cat offers companionship to a lonely librarian, an elderly gentleman, a widowed Hispanic opera lover, a red-haired policewoman with a fondness for fast food, a homeless vet, and a girl and her mom just settling into their new home. A (happy) twist at the end removes the cat from this particular community, but his presence, however temporary, has a lasting impact. Johnston’s text is smooth and conversational, with pleasantly distinct voices for each of the characters, but it may prove overly long for some young listeners. The themes of diversity and connection are commendable, but occasionally, they seem to outweigh Johnston’s plump hero. Davenier’s soft ink-and–colored-pencil illustrations, mostly double-page spreads, have the fluidity of watercolors as well as a scratchy, scruffy charm. Repeated patterns and colors create a cohesive feel, as does the appearance of various characters in the background both before and after they have been introduced.
Children will likely enjoy this visit to a newly united neighborhood, even if the catalyst for its creation is more device than distinct individual. (Picture book. 6-8)Pub Date: Aug. 1, 2013
ISBN: 978-1-58089-381-7
Page Count: 40
Publisher: Charlesbridge
Review Posted Online: June 7, 2013
Kirkus Reviews Issue: June 15, 2013
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Nov. 4, 2014
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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by John Hare ; illustrated by John Hare ‧ RELEASE DATE: May 14, 2019
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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