A richly layered, powerful introduction to an entrepreneur and the problems he solved.
Enter the world of Victor Hugo Green and his famous Green Book for Black travelers.
Green delivered mail in Leonia, New Jersey, even after moving to Harlem with his wife, Alma. During the Great Depression, new highways and turnpikes and newly inexpensive car models were driving more families to own cars. Black travelers had extra stress and danger to worry about when traveling through unfamiliar, often hostile terrain. Black-owned newspapers and word of mouth kept them informed on how to stay safe. Green “got busy problem-solving,” gathering information from people and publications into one guide, the Green Book, which started in 1936 as a pamphlet covering New York City and neighboring towns and grew steadily to cover the entire nation. The story extends beyond Green’s death in 1960 to end on the hopeful note of the civil rights legislation Green had hoped for, when, with the passing of the Civil Rights Act of 1964, discrimination related to transportation services was outlawed. Bolden’s bold, strong, conversational prose sets the scene, representing courageous, talented Black people strategizing to keep their dignity in an unfair world. With his signature painterly art, Velasquez beautifully brings to life settings, families, and communities through varied compositions and scrapbook-style pages. Text and illustrations incorporate primary source documents—maps, advertisements, excerpts from newspapers—that add to the authentic feel. (This book was reviewed digitally.)
A richly layered, powerful introduction to an entrepreneur and the problems he solved. (timeline, more information on Victor Hugo Green, notes, selected sources, websites) (Picture-book biography. 4-9)Pub Date: Oct. 4, 2022
ISBN: 978-0-06-296740-4
Page Count: 40
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Enthusiastic and direct, this paean has a lovely ring to it.
Former National Youth Poet Laureate Gorman invites girls to raise their voices and make a difference.
“Today, we finally have a say,” proclaims the first-person plural narration as three girls (one presents Black, another is brown-skinned, and the third is light-skinned) pass one another marshmallows on a stick around a campfire. In Wise’s textured, almost three-dimensional illustrations, the trio traverse fantastical, often abstract landscapes, playing, demonstrating, eating, and even flying, while confident rhymes sing their praises and celebrate collective female victories. The phrase “LIBERATION. FREEDOM. RESPECT” appears on a protest sign that bookends their journey. Simple and accessible, the rhythmic visual storytelling presents an optimistic vision of young people working toward a better world. Sometimes family members or other diverse comrades surround the girls, emphasizing that power comes from community. Gorman is careful to specify that “some of us go by she / And some of us go by they.” She affirms, too, that each person is “a different shape and size,” though the art doesn’t show much variation in body type. Characters also vary in ability. Real-life figures emerge as the girls dream of past luminaries such as author Octavia Butler and activist Marsha P. Johnson, along with present-day role models including poet and journalist Plestia Alaqad and athlete Sha’carri Richardson; silhouettes stand in for heroines as yet unknown. Imagining that “we are where change is going” is hopeful indeed.
Enthusiastic and direct, this paean has a lovely ring to it. (Picture book. 4-8)Pub Date: Jan. 7, 2025
ISBN: 9780593624180
Page Count: 32
Publisher: Viking
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
BOOK REVIEW
BOOK REVIEW
A well-meaning but lackluster tribute.
Readers bid farewell to a beloved canine character.
Momo is—or was—an adorable and very photogenic border collie owned by author Knapp. The many readers who loved him in the previous half-dozen books are in for a shock with this one. “Momo had died” is the stark reality—and there are no photographs of him here. Instead, Momo has been replaced by a flat cartoonish pastiche with strange, staring round white eyes, inserted into some of Knapp’s photography (which remains appealing, insofar as it can be discerned under the mixed media). Previous books contained few or no words. Unfortunately, virtuosity behind a lens does not guarantee mastery of verse. The art here is accompanied by words that sometimes rhyme but never find a workable or predictable rhythm (“We’d fetch and we’d catch, / we’d run and we’d jump. Every day we found new / games to play”). It’s a pity, because the subject—a pet’s death—is an important one to address with children. Of course, Momo isn’t gone; he can still be found “everywhere” in memories. But alas, he can be found here only in the crude depictions of the darling dog so well known from the earlier books.
A well-meaning but lackluster tribute. (Picture book. 4-8)Pub Date: Feb. 6, 2024
ISBN: 9781683693864
Page Count: 32
Publisher: Quirk Books
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
BOOK REVIEW
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