by Tor Freeman ; illustrated by Tor Freeman ‧ RELEASE DATE: Sept. 10, 2013
Unfortunately, the realistically petty temper tantrum and unhealthy coping mechanism overshadow the slight humor and seem...
Olive the (anthropomorphic) orange cat is back—and she’s still oblivious to the impact of her actions (Olive and the Big Secret, 2012).
The drama starts immediately as Olive trips on an untied shoelace, skids along under the copyright data and lands in an irritated heap on the title page. She then takes out her temper by making rude remarks to everyone she meets. From bunny best friend Molly, who innocently inquires whether Olive would like to play, to Lola the giraffe, who just wants to say hi, Olive belittles, insults and ignores her friends. Not surprisingly, each of them winds up in a bad mood too. Freeman keeps the text simple and conversational though not always convincingly childlike. Her mixed-media illustrations are crisp, and her animal characters, with round bodies, large heads, and comically small arms and legs, caper across white space that is mostly uncluttered by background details. Olive’s pronounced pout expresses her negative feelings, while her friends’ transitions from cheery to cranky are shown in serial portraits that also convey motion and activity. After annoying everyone, Olive soothes herself with sweets, shares them freely—and then sinks back into the doldrums when the candy runs out.
Unfortunately, the realistically petty temper tantrum and unhealthy coping mechanism overshadow the slight humor and seem likely to leave young listeners and their parents even less enchanted with Olive than her friends are. (Picture book. 4-7)Pub Date: Sept. 10, 2013
ISBN: 978-0-7636-6657-6
Page Count: 32
Publisher: Templar/Candlewick
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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