Kuhlmann’s detailed art will pull in readers who like to see how things fit together, while his message is abundantly clear...
The evolution of a city built beneath a green meadow by anthropomorphic moles is narrated visually.
The industrious moles build their elaborate, busy civilization without paying much attention to the natural world—with predictably bad consequences—in a largely wordless allegory about the downside of progress. Kuhlmann’s art for the underground city is richly done in earthy tones, with the gray-blue of the moles’ coveralls and the glow of lamps, screens, and lightbulbs punctuating the sense of being constantly indoors, electricity in use everywhere. Bits of telephones and gaming handsets decorate the moles’ compact living and working spaces. Underground trains ferry commuters in all directions, including up and down. The city’s development proceeds to the point where vehicles packed end to end crowd the square of a heavily stacked city as mole-oriented signage looms over the streets: “smutch,” “sand,” “soil.” The devastation that has been wrought on the surface above them appears in a double-page spread just after this: the formerly green meadow is a wasteland of derricks and piles of bare earth. It’s only on the rear endpapers that hope appears, with thumbnail black-and-white “photos” showing a wind farm rising above the bare-dirt meadow and a mole enjoying a bit of fresh air.
Kuhlmann’s detailed art will pull in readers who like to see how things fit together, while his message is abundantly clear for everyone. (Picture book. 3-7)Pub Date: Oct. 1, 2015
ISBN: 978-0-7358-4208-3
Page Count: 32
Publisher: NorthSouth
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
A hilarious autumnal comedy of errors.
A confused squirrel overreacts to the falling autumn leaves.
Relaxing on a tree branch, Squirrel admires the red, gold, and orange leaves. Suddenly Squirrel screams, “One of my leaves is…MISSING!” Searching for the leaf, Squirrel tells Bird, “Someone stole my leaf!” Spying Mouse sailing in a leaf boat, Squirrel asks if Mouse stole the leaf. Mouse calmly replies in the negative. Bird reminds Squirrel it’s “perfectly normal to lose a leaf or two at this time of year.” Next morning Squirrel panics again, shrieking, “MORE LEAVES HAVE BEEN STOLEN!” Noticing Woodpecker arranging colorful leaves, Squirrel queries, “Are those my leaves?” Woodpecker tells Squirrel, “No.” Again, Bird assures Squirrel that no one’s taking the leaves and that the same thing happened last year, then encourages Squirrel to relax. Too wired to relax despite some yoga and a bath, the next day Squirrel cries “DISASTER” at the sight of bare branches. Frantic now, Squirrel becomes suspicious upon discovering Bird decorating with multicolored leaves. Is Bird the culprit? In response, Bird shows Squirrel the real Leaf Thief: the wind. Squirrel’s wildly dramatic, misguided, and hyperpossessive reaction to a routine seasonal event becomes a rib-tickling farce through clever use of varying type sizes and weights emphasizing his absurd verbal pronouncements as well as exaggerated, comic facial expressions and body language. Bold colors, arresting perspectives, and intense close-ups enhance Squirrel’s histrionics. Endnotes explain the science behind the phenomenon.
A hilarious autumnal comedy of errors. (Picture book. 4-7)Pub Date: Aug. 1, 2021
ISBN: 978-1-7282-3520-2
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
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