by Tore Renberg ; translated by Seán Kinsella ‧ RELEASE DATE: Feb. 4, 2015
Renberg gives us a novel, rooted in noir softened by comedy, that gets to the serious business of how our shortcomings are...
A dense literary novel that moves like a thriller among memorable characters on parallel trajectories.
Renberg is a Norwegian writer who has won several prestigious national awards for his fiction and screenwriting. The action in this novel takes place over three days in September among a vivid cast of characters who are revealed to be likable or distasteful as you get to know them. Chapters are written from their individual points of view, and their days move with unstoppable momentum to a scene of insidious violence that defines everyone. Pål is a hapless father of two teenage girls who digs himself into a hole as he tries to erase his online gambling debts. He engages the Hellevag Gang to help solve his problem, and they decide the solution is insurance fraud. The leader of the gang, Jan Inge, fancies himself a CEO of the underworld; Cecilie is Jan's sister, who's having a baby with her boyfriend, Rudi, a manic criminal, metal-music fanatic and a hoot of a man-boy. These three are the comic engines that power the narrative. Rudi spews a nonstop stream-of-consciousness monologue that's always just this side of violence. “Pleasure meeting other people who are sound. There’re not many of us left, brother! I thought you were a tosser, but you’re not—you’re the last man standing. And now I’ll give you a little quiz here—what two metal tracks am I thinking of?” Pål’s daughters, the angst-ridden Tiril and buttoned-up gymnast Malene, link to other high school students who are all struggling to grow up. Teenage angst, adolescent love, the struggles of a single father and the sexually charged lives of a gang of petty crooks all take converging tracks that Renberg uses to portray three days of highly magnified time.
Renberg gives us a novel, rooted in noir softened by comedy, that gets to the serious business of how our shortcomings are all linked.Pub Date: Feb. 4, 2015
ISBN: 978-1-909807-60-0
Page Count: 600
Publisher: Dufour
Review Posted Online: Jan. 7, 2015
Kirkus Reviews Issue: Jan. 15, 2015
Share your opinion of this book
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
Share your opinion of this book
More by Donna Tartt
BOOK REVIEW
by Donna Tartt
BOOK REVIEW
by Donna Tartt
More About This Book
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Madeline Miller ‧ RELEASE DATE: April 10, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
Awards & Accolades
Likes
35
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2018
New York Times Bestseller
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
Share your opinion of this book
More About This Book
PROFILES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.