A profound autobiographical playlist and radically political call to action primarily for Amos fans.
The inimitable musician memorializes her artistic journey through music and activism.
With great conviction, Amos believes “we are all confronting dark forces that aim to divide us as a world, as countries, as people, as artists, as creators.” This book is rooted in motivated political resistance and the preservation of artistic expressionism. As a 40-year veteran of the music industry, the author acknowledges pivotal moments throughout her career and lets her song lyrics shine at the beginning of each chapter. Amos begins with “Gold Dust,” reflecting back on her teenage self and the creative impulses that guided her as a young artist and a rising social and human rights activist. The author discusses how the “weight of processing conflict” fueled the writing of her hit “Little Earthquakes” and how the 2017 song “Bang” was intended to energize advocates of true democracy after Donald Trump’s Muslim ban. Never one to shy away from the controversial, complex, or incendiary, Amos expresses past and present frustrations with record label melodrama and the importance of continuing conversations about sexual abuse, female genital mutilation, government oppression, and attacks on LGBTQ rights worldwide. A section on 9/11 comes into vivid focus when Amos describes an eerie walk through a muted Manhattan as “the drums of war had begun beating." She continues, “as I write these words all these years later, we are still at war—in that very same war.” In addition to her politically charged thoughts, the author reflects poignantly on the end-of-life care and eventual loss of her mother, which occurred while she was writing this book. The concluding chapters address her grief and how she has been processing this absence by manifesting her beloved mother’s influence through prose and music. Though the narrative structure is haphazard, the result, nevertheless, is a dramatically inspired volume of lyrics and legacy presenting Amos as an artist, an activist, and a sharp, thoughtful musician with a commanding voice. One of Kirkus and Rolling Stone’s Best Music Books of 2020.
A profound autobiographical playlist and radically political call to action primarily for Amos fans.Pub Date: May 5, 2020
ISBN: 978-1-9821-0415-3
Page Count: 288
Publisher: Atria
Review Posted Online: Feb. 15, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
PROFILES
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The value of this book is the context it provides, in a style aimed at a concerned citizenry rather than fellow academics,...
A provocative analysis of the parallels between Donald Trump’s ascent and the fall of other democracies.
Following the last presidential election, Levitsky (Transforming Labor-Based Parties in Latin America, 2003, etc.) and Ziblatt (Conservative Parties and the Birth of Democracy, 2017, etc.), both professors of government at Harvard, wrote an op-ed column titled, “Is Donald Trump a Threat to Democracy?” The answer here is a resounding yes, though, as in that column, the authors underscore their belief that the crisis extends well beyond the power won by an outsider whom they consider a demagogue and a liar. “Donald Trump may have accelerated the process, but he didn’t cause it,” they write of the politics-as-warfare mentality. “The weakening of our democratic norms is rooted in extreme partisan polarization—one that extends beyond policy differences into an existential conflict over race and culture.” The authors fault the Republican establishment for failing to stand up to Trump, even if that meant electing his opponent, and they seem almost wistfully nostalgic for the days when power brokers in smoke-filled rooms kept candidacies restricted to a club whose members knew how to play by the rules. Those supporting the candidacy of Bernie Sanders might take as much issue with their prescriptions as Trump followers will. However, the comparisons they draw to how democratic populism paved the way toward tyranny in Peru, Venezuela, Chile, and elsewhere are chilling. Among the warning signs they highlight are the Republican Senate’s refusal to consider Barack Obama’s Supreme Court nominee as well as Trump’s demonization of political opponents, minorities, and the media. As disturbing as they find the dismantling of Democratic safeguards, Levitsky and Ziblatt suggest that “a broad opposition coalition would have important benefits,” though such a coalition would strike some as a move to the center, a return to politics as usual, and even a pragmatic betrayal of principles.
The value of this book is the context it provides, in a style aimed at a concerned citizenry rather than fellow academics, rather than in the consensus it is not likely to build.Pub Date: Jan. 16, 2018
ISBN: 978-1-5247-6293-3
Page Count: 320
Publisher: Crown
Review Posted Online: Nov. 12, 2017
Kirkus Reviews Issue: Dec. 1, 2017
BOOK REVIEW
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