Even when Peters’ experiments don’t pay off, it’s exciting to read an author willing to take these risks.
Three long stories and a short novel by the author of Detransition, Baby (2021).
In her debut, Peters told the story of a trans woman and her ex-lover—formerly a trans woman, now living again as a man—building a family together with the latter’s new partner, a cisgender woman. Tender and funny, the novel was a critical and commercial success. This follow-up volume is a lopsided collection that the author wrote over the course of 10 years. The opening piece, “Infect Your Friends and Loved Ones,” is set in a hellish future in which a pandemic renders humans incapable of producing sex hormones. It’s also sort of an antiromance centered around two trans women who are inextricably connected, despite what the narrator might wish. In “The Chaser,” a boy who’s reluctant to acknowledge his own sexuality embarks on a secret relationship with his boarding school roommate, the results of which are disastrous for both of them. “The Masker” is a darkly intense interrogation of identity and desire centered on a “sissy” boy who is trying to figure out if they are a cross-dresser or a trans woman while being pulled in different directions by a charismatic fetishist and an overbearing trans elder. Babe, the protagonist of the longest piece, Stag Dance, fells trees for an outlaw logging operation. Remarkably large and prodigiously ugly, he discovers a self he hadn’t recognized before when the camp boss declares that there will be a stag dance—a rustic soiree at which some loggers volunteer to be women. Babe is a terrific character, and his relationship with the prettiest boy in the camp is nuanced and affecting. This could be a crackerjack short story, but it feels interminable at novel length. It’s repetitive, and the old-timey jargon loses its charm pretty quickly. Peters might think about trimming this down to a taut tall tale and venturing deeper into the world she’s created in “Infect Your Friends and Loved Ones.”
Even when Peters’ experiments don’t pay off, it’s exciting to read an author willing to take these risks.Pub Date: March 11, 2025
ISBN: 9780593595640
Page Count: 304
Publisher: Random House
Review Posted Online: Dec. 11, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK TO SCREEN
A masterpiece.
Two young Indian writers discover their conjoined destinies by leaving home, coming back, connecting, disconnecting, and swimming in the ocean at Goa.
Sonia’s grandfather, the lawyer, and his friend, the Colonel, are connected by a weekly chess game and a local tradition of families sharing food, “paraded through the neighborhood in tiffin carriers, in thermos flasks, upon plates covered in napkins tied in rabbit ears.” Shortly after Desai’s magnificent third novel opens, the two families are also connected by a marriage proposal. Upon hearing that Sonia is feeling lonely at college in Vermont—loneliness? Is there anything more un-Indian?—and unaware that she is romantically involved with a famous, much older painter, her elders deliver a hilariously lukewarm letter proposing that she be introduced to Sonny, the Colonel’s grandson. Sonny is living in New York working as a copy editor at The Associated Press, and he, too, has a partner no one knows about. Sonny’s family feels they are being asked to give up their son to balance out some long-ago bad investment advice from the Colonel; on the other hand, they would very much like to get the other family’s kebab recipe. The fate of this half-hearted setup unfurls over many years and almost 700 delicious pages that the author has apparently been working on since the publication of The Inheritance of Loss (2006), which won the Booker Prize and National Book Critics Circle Award. You can almost feel the decades passing as the novel becomes increasingly concerned with the process of novel-writing; toward the end, Sonia can’t stop thinking about whether, if she writes all the stories she knows, “these stories [would] intersect and make a book? How would they hold together?” Desai’s trust in her own process pays off, as vignettes of just a page or two (Sonia’s head-spinning tour of a museum with the great artist; Sonny’s lightning-strike theory that only people who have cleaned their own toilet can appreciate reading novels) intersect with the novel’s central obsessions—love, family, writing, the role of the U.S. in the Indian imagination, the dangers faced by a woman on her own—and come to a perfectly satisfying close.
A masterpiece.Pub Date: Sept. 23, 2025
ISBN: 9780307700155
Page Count: 704
Publisher: Hogarth
Review Posted Online: June 6, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
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