American readers will enjoy this dark, tightly plotted, and satisfying thriller.
A new novel from a Swedish author whose last book, We Know You Remember (2021), was named Swedish Crime Novel of the Year.
In the northernmost part of Sweden, the earth shakes as a mining company digs for ore and moves entire hamlets in the process, and many abandoned buildings collapse into rubble. Near a destroyed home, two young men hear “the cry of a caged animal” and discover a half-dead man trapped in a basement. A woman wanders through an abandoned area with her old Leica camera as part of her project to photograph forgotten places, “the sorrow of what once was.” In her darkroom she develops an image that shows a human hand. The forlorn town is named Offer, which is the Swedish word for victim. To the photographer, the name is “ominous…yet somehow it was also beautiful.” But to the police, it’s different. “What a goddamn name for a crime scene,” says Georg Georgsson, aka GG, who is lead investigator in the Violent Crimes Unit. Indeed, calling the hamlet the equivalent of Victim is laying on the drama a little thick in a tale that already has plenty. The main character is police assistant Eira Sjödin, who admires and reports to GG. She is a dedicated detective, but like everyone else, she has problems of her own, like having a wrongly imprisoned brother. It is a complex case made even more so when GG stops answering his telephone and no one knows where he is. The mystery becomes more tangled as details of GG’s life emerges. Eira and a colleague already had their hands full sifting through clues and looking for possible perpetrators, and now they must worry about their boss. Meanwhile in a dark basement, a ghastly scene makes police wonder what a person will do to survive.
American readers will enjoy this dark, tightly plotted, and satisfying thriller.Pub Date: Jan. 10, 2023
ISBN: 978-0-063-11511-8
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.
Four residents of Coopers Chase, a British retirement village, compete with the police to solve a murder in this debut novel.
The Thursday Murder Club started out with a group of septuagenarians working on old murder cases culled from the files of club founder Elizabeth Best’s friend Penny Gray, a former police officer who's now comatose in the village's nursing home. Elizabeth used to have an unspecified job, possibly as a spy, that has left her with a large network of helpful sources. Joyce Meadowcroft is a former nurse who chronicles their deeds. Psychiatrist Ibrahim Arif and well-known political firebrand Ron Ritchie complete the group. They charm Police Constable Donna De Freitas, who, visiting to give a talk on safety at Coopers Chase, finds the residents sharp as tacks. Built with drug money on the grounds of a convent, Coopers Chase is a high-end development conceived by loathsome Ian Ventham and maintained by dangerous crook Tony Curran, who’s about to be fired and replaced with wary but willing Bogdan Jankowski. Ventham has big plans for the future—as soon as he’s removed the nuns' bodies from the cemetery. When Curran is murdered, DCI Chris Hudson gets the case, but Elizabeth uses her influence to get the ambitious De Freitas included, giving the Thursday Club a police source. What follows is a fascinating primer in detection as British TV personality Osman allows the members to use their diverse skills to solve a series of interconnected crimes.
A top-class cozy infused with dry wit and charming characters who draw you in and leave you wanting more, please.Pub Date: Sept. 22, 2020
ISBN: 978-1-98-488096-3
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: June 30, 2020
Kirkus Reviews Issue: July 15, 2020
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