American readers will enjoy this dark, tightly plotted, and satisfying thriller.
A new novel from a Swedish author whose last book, We Know You Remember (2021), was named Swedish Crime Novel of the Year.
In the northernmost part of Sweden, the earth shakes as a mining company digs for ore and moves entire hamlets in the process, and many abandoned buildings collapse into rubble. Near a destroyed home, two young men hear “the cry of a caged animal” and discover a half-dead man trapped in a basement. A woman wanders through an abandoned area with her old Leica camera as part of her project to photograph forgotten places, “the sorrow of what once was.” In her darkroom she develops an image that shows a human hand. The forlorn town is named Offer, which is the Swedish word for victim. To the photographer, the name is “ominous…yet somehow it was also beautiful.” But to the police, it’s different. “What a goddamn name for a crime scene,” says Georg Georgsson, aka GG, who is lead investigator in the Violent Crimes Unit. Indeed, calling the hamlet the equivalent of Victim is laying on the drama a little thick in a tale that already has plenty. The main character is police assistant Eira Sjödin, who admires and reports to GG. She is a dedicated detective, but like everyone else, she has problems of her own, like having a wrongly imprisoned brother. It is a complex case made even more so when GG stops answering his telephone and no one knows where he is. The mystery becomes more tangled as details of GG’s life emerges. Eira and a colleague already had their hands full sifting through clues and looking for possible perpetrators, and now they must worry about their boss. Meanwhile in a dark basement, a ghastly scene makes police wonder what a person will do to survive.
American readers will enjoy this dark, tightly plotted, and satisfying thriller.Pub Date: Jan. 10, 2023
ISBN: 978-0-063-11511-8
Page Count: 288
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
An accomplished but emotionally undercooked courtroom drama by the author who made that genre popular.
Having been falsely convicted of murder himself years ago, prosecutor Rusty Sabich defies common wisdom in defending his romantic partner’s adopted son against the same accusation.
Now 76, Rusty has retired to the (fictitious) Skageon Region in the upper Midwest, far removed from Kindle County, Turow’s Chicago stand-in, where he was a star attorney and judge. Aaron Housley, a Black man raised in a bleached rural environment, has had his troubles, including serving four months for holding drugs purchased by Mae Potter, his erratic, on-and-off girlfriend. Now, after suddenly disappearing to parts unknown with her, he returns alone. When days go by without Mae’s reappearance, it is widely assumed that Aaron harmed her. Why else would he be in possession of her phone? Following the discovery of Mae’s strangled body and incriminating evidence that points to Aaron, Rusty steps in. Opposed in court by the uncontrollable, gloriously named prosecutor Hiram Jackdorp, he fears he’s in a lose-lose situation. If he fails to get Aaron off, which is highly possible, the boy’s mother, Bea, will never forgive him. If Rusty wins the case, the quietly detached Bea—who, like half the town, has secrets—will have trouble living with the unsparing methods Rusty uses to free Aaron. In attempting to match, or at least approach, the brilliance of his groundbreaking masterpiece Presumed Innocent (1987), Turow has his own odds to overcome. No minor achievement like a previous follow-up, Innocent (2010), the new novel is a powerful display of straightforward narrative, stuffed with compelling descriptions of people, places, and the legal process. No one stages courtroom scenes better than this celebrated Chicago attorney. But the book, whose overly long scenes add up to more than 500 pages, mostly lacks the gripping intensity and high moral drama to keep those pages turning. It’s an absorbing and entertaining read, but Turow’s fans have come to expect more than that.
An accomplished but emotionally undercooked courtroom drama by the author who made that genre popular.Pub Date: Jan. 14, 2025
ISBN: 9781538706367
Page Count: 544
Publisher: Grand Central Publishing
Review Posted Online: Sept. 28, 2024
Kirkus Reviews Issue: Nov. 1, 2024
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