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THE TROUBLE WITH HAPPINESS

AND OTHER STORIES

Neurasthenic and melancholic but a central work of modern Danish literature.

A brooding collection of stories by the iconic Danish writer.

Ditlevsen, who died in 1976, was no stranger to misery: Addicted to drugs and alcohol, she was committed to psychiatric care several times. Many of the characters she depicts in this slender volume of stories could use professional care themselves. In the opening story, a young woman who “had never demonstrated a special talent of any kind” longs for just two things in life: a man and an umbrella. She attains the first, but the second is slower to arrive. “Sometimes she would lie awake next to Egon, or in her bed in the maid’s room in the house where she worked, nursing her peculiar dream of owning an umbrella,” writes Ditlevsen, and when the woman finally does pull the money together to buy an inexpensive bumbershoot, her enraged husband breaks it over his knee. There the story ends, and one can imagine the couple living miserably ever after. In another story, an aging woman despises any reminder that she will one day die yet introduces a prospective daughter-in-law to everyone in her family, the dead by way of photographs, knowing that one day she’ll be reduced to a few memories and a photo on her sewing table. A botched abortion here, an affair there, a child who, though only 7, “already possessed a great deal of formless anxiety,” a father considered nice only because he does not beat his children—these are the people and events that populate Ditlevsen’s unhappy world. About the only promise of redemption comes in the title story, in which a young woman who inhabits a dank corner of a tiny apartment with her parents, her father “completely superfluous in my mother’s world,” works herself through sheer will into a career as a writer. If this small, gloomy piece is a roman à clef, then Ditlevsen deserves every bit of the reader’s sympathy.

Neurasthenic and melancholic but a central work of modern Danish literature.

Pub Date: April 19, 2022

ISBN: 978-0-3746-0560-5

Page Count: 224

Publisher: Farrar, Straus and Giroux

Review Posted Online: Jan. 11, 2022

Kirkus Reviews Issue: Feb. 1, 2022

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  • New York Times Bestseller

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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