Whimsical nostalgia.
Seven Moomin family tales are brought together in this collection of the classic Finnish comic strip in this uncredited translation from the original Swedish.
The Moomins, subjects of a series of novels that first appeared in the 1940s, have since featured in picture books, comic strips, and animated TV series and films worldwide. This volume collects comic strips originally published in English in the London Evening News that were written and illustrated by both acclaimed original Moomin author and artist Tove Jansson and her brother Lars. With a grand spirit of adventure, Moomin, a charmingly hippolike creature, and his family look for ways to experience life outside Moomin-valley. The collection kicks off with “Moomin on the Riviera,” in which Moomin, Moominmamma, Moominpappa, and Moomin’s friend and sometimes love interest, Snork-maiden, sail south in search of a glamorous vacation. Shocked and dismayed by how much land is privately owned and inaccessible, they accidentally stumble into an exclusive hotel, where they’re assumed to be eccentric millionaires. More adventures follow, each concluding back in Moomin-valley, with the Moomins feeling a newfound appreciation for the simplicity of their daily lives. The tongue-in-cheek humor pokes fun at pretension, greed, and buffoonery. Some of the jokes about gender dynamics have not aged well, however. The clean, black-and-white line art and regular panels amusingly highlight the creatures’ antics; the lettering is occasionally compressed and, combined with some challenging vocabulary, may prove tricky for younger readers.
Whimsical nostalgia. (Comics. 8-adult)Pub Date: July 9, 2024
ISBN: 9781770467422
Page Count: 312
Publisher: Drawn & Quarterly
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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