Too many kidnappings, abusive men, and damaged women spoil the broth.
An indomitable rookie crime reporter with a deeply troubled past pursues an even more disturbed serial kidnapper.
Sawyer Brooks was orphaned a month ago when her mother, who’d long covered for her abusive, pedophiliac husband, shot him to death and was shot in turn by one of her own daughters––Sawyer's sister Aria. Growing up in that family, Sawyer has learned to accept her place at the foot of the table—a spot she now fills at the Sacramento Independent, where she survives on the crumbs that fall from the plate of veteran reporter David Lutz. But she can’t let go of the disappearance of 12-year-old Riley Addison. She can’t believe that Riley was harmed by Mark Brennan, the piano teacher from whose doorstep she vanished—even though he grew up in a nearby town that was home to another victim three years ago. When she challenges Detective Perez, whose wrath she already incurred in Don’t Make a Sound (2020), because the blood he found on Brennan’s front steps and matched with Riley’s blood wasn’t there the day before, when Sawyer and Aria interviewed Brennan, Perez stares her down. And he demands that she be pulled off the story after a hot lead she supplies about another possible kidnapper turns into an embarrassment and a possible lawsuit against the police. Defying all obstacles, Sawyer presses on, linking Riley’s case to half a dozen other abductions over the years. She’s so sharply focused that she has no idea that her other sister, Harper, is dealing with their traumatic family history in an even more cathartic way: by taking an active role in The Crew, a group of female vigilantes who deal out summary justice to abusers from their pasts.
Too many kidnappings, abusive men, and damaged women spoil the broth.Pub Date: Nov. 10, 2020
ISBN: 978-1-5420-9390-3
Page Count: 284
Publisher: Thomas & Mercer
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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