As stimulating as sea air itself, this story will surely send the salt water coursing through the veins of its readers.
A lively, true story about a 19th-century woman and the 15,000-mile sailing journey she navigated.
With animated language full of the vigor of the sea itself, Fern relates the story of Ellen Prentiss Creesy, who, while growing up in Marblehead, Mass., was taught to both sail and navigate by her sea-captain father. Later, Ellen accompanied her husband, also a sea captain, on many voyages as navigator. Ellen’s husband was given command of the Flying Cloud, a clipper ship whose 1851 maiden voyage—from New York City around the tip of Cape Horn to San Francisco—aspired to bring passengers and cargo to the Gold Rush more quickly than had ever been done before. With Ellen as navigator, the Flying Cloud endured storms and doldrums to triumph in its record-setting voyage. McCully’s expertly rendered watercolor illustrations evoke, in double-page spreads, the rich atmosphere of the sea in all its moods, while many events are shown as round vignettes—as though seen through a spyglass. Off-kilter horizon lines conjure up the motion of the ship at sea, and sailing-savvy readers will appreciate the accurate depiction of all things nautical. Endpapers showing the Flying Cloud’s sailing route orient readers to the huge scope of the voyage.
As stimulating as sea air itself, this story will surely send the salt water coursing through the veins of its readers. (author’s note, glossary) (Picture book. 5-10)Pub Date: Feb. 18, 2014
ISBN: 978-0-374-31699-0
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: Nov. 30, 2013
Kirkus Reviews Issue: Dec. 15, 2013
Absolutely wonderful in every way.
A long-forgotten chapter in New York City history is brilliantly illuminated.
In mid-19th-century New York, horses and horse-drawn vehicles were the only means of transportation, and the din created by wheels as they rumbled on the cobblestones was deafening. The congestion at intersections threatened the lives of drivers and pedestrians alike. Many solutions were bandied about, but nothing was ever done. Enter Alfred Ely Beach, an admirer of “newfangled notions.” Working in secret, he created an underground train powered by an enormous fan in a pneumatic tube. He built a tunnel lined with brick and concrete and a sumptuously decorated waiting room for passenger comfort. It brought a curious public rushing to use it and became a great though short-lived success, ending when the corrupt politician Boss Tweed used his influence to kill the whole project. Here is science, history, suspense, secrecy, and skulduggery in action. Corey’s narrative is brisk, chatty, and highly descriptive, vividly presenting all the salient facts and making the events accessible and fascinating to modern readers. The incredibly inventive multimedia illustrations match the text perfectly and add detail, dimension, and pizazz. Located on the inside of the book jacket is a step-by-step guide to the creative process behind these remarkable illustrations.
Absolutely wonderful in every way. (author’s note, bibliography, Web resources) (Informational picture book. 6-10)Pub Date: March 8, 2016
ISBN: 978-0-375-87071-2
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
Weatherford and Christie dazzlingly salute African-Americans’ drive to preserve their dignity and pride.
Count down the days until Sunday, a day for slaves in New Orleans to gather together and remember their African heritage.
In rhyming couplets, Weatherford vividly describes each day of nonstop work under a “dreaded lash” until Sunday, when slaves and free blacks could assemble in Congo Square, now a part of New Orleans’ Louis Armstrong Park and on the National Register of Historic Places. Musicians “drummed ancestral roots alive” on different traditional instruments, and men and women danced. They also exchanged information and sold wares. The poetry is powerful and evocative, providing a strong and emotional window into the world of the slave. Christie’s full-bleed paintings are a moving accompaniment. His elongated figures toil in fields and in houses with bent backs under the watchful eyes of overseers with whips. Then on Sunday, they greet one another and dance with expressively charged spirits. One brilliant double-page spread portrays African masks and instruments with swirling lines of text; it is followed by another with four dancers moving beautifully—almost ethereally—on a vibrant yellow collage background. As the author notes, jazz would soon follow from the music played in Congo Square.
Weatherford and Christie dazzlingly salute African-Americans’ drive to preserve their dignity and pride. (foreword, glossary, author’s note) (Picture book. 5-9)Pub Date: Jan. 5, 2016
ISBN: 978-1-4998-0103-3
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: Oct. 13, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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