For mouse-loving children and families looking for an alternative to the well-known poem.
A murine version of the classic Christmas poem.
“ ’Twas the night before Christmas, / when all through the house / Not a creature was stirring / …except for one mouse.” A little white mouse clad in a fur-trimmed red suit winks at readers and holds a shushing paw to its mouth. Turner goes on to give “A Visit From St. Nicholas” a mouse-themed spin, casting the reindeer as red and green stag beetles and sending her Santa “through / a crack in the wall” rather than down the chimney. Although she supplies the stag beetles with appropriate names (“On Scatter and Skitter!” urges Santa), curiously, she omits the narrator character from the tale, which gives the proceedings an incomplete air. Readers may be so busy looking at the details in Løvlie’s illustrations they may not feel the absence. She depicts snoozing mouse children in a tiny shoe, a matchbox, and a flour scoop; gives the stag beetles pink cheeks, black button noses, and smiles; and festoons the mouse hole with paper-mouse chains and dried fruit rounds. It’s all extremely cozy but kept from being cloyingly so with a limited palette of muted (rather than forest) green, red, and dark blue; the swooshes of snow Santa leaves in his wake give a bracing, fresh feeling.
For mouse-loving children and families looking for an alternative to the well-known poem. (Picture book. 4-7)Pub Date: Sept. 29, 2020
ISBN: 978-1-5037-5495-9
Page Count: 40
Publisher: Sunbird Books
Review Posted Online: Aug. 17, 2020
Kirkus Reviews Issue: Sept. 1, 2020
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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