A lesser-known but significant encounter with all-too-current resonances.
Profiles of the first two Native players to make history by facing off in a World Series: Charles Bender and John Meyers.
Properly rejecting the conventional sobriquets (both were often referred to as “Chief” in newspapers despite not being tribal leaders) as inaccurate and disrespectful and using her subjects’ given names (or childhood nicknames) throughout, Sorell weaves into her brief but suspenseful recap of the 1911 Series accounts of both men’s paths to the major leagues. Bender left the White Earth Reservation in Minnesota to pitch for the Philadelphia Athletics after escaping abusive experiences both at home, from his German American father, and in a boarding school; Meyers resisted “pressure to adopt white people’s norms” as he left the Cahuilla reservation in California for spots on several semipro teams and then spoke out against injustices against Native people as a catcher for the New York Giants. Adding carefully authenticated Ojibwe and Cahuilla motifs on framing borders, Starr offers a set of clean-lined on-field tableaux, montages, and baseball card–style portraits of the chiseled players in period uniforms. Though the author does give her stars’ later careers (and, in a closing timeline, lives) quick overviews, the story she tells is at least as much about racism as it is about baseball, with several references to “slights and slurs” along with documented prejudicial quotes and headlines from the time identified as “insults.” Nor has the onslaught let up significantly: “From peewee to professional levels,” she concludes, “no other athletes in the United States face the kind of sanctioned mocking and dishonor of their culture that Native players do.” (This book was reviewed digitally.)
A lesser-known but significant encounter with all-too-current resonances. (author’s note, quotes, sources) (Informational picture book. 7-10)Pub Date: April 11, 2023
ISBN: 9780593406472
Page Count: 48
Publisher: Kokila
Review Posted Online: Feb. 7, 2023
Kirkus Reviews Issue: March 1, 2023
PERSPECTIVES
A pivotal moment in a child’s life, at once stirring and authentically personal.
Before growing up to become a major figure in the civil rights movement, a boy finds a role model.
Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)
A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)Pub Date: Aug. 2, 2022
ISBN: 978-0-545-55465-7
Page Count: 40
Publisher: Scholastic
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Shot through with vague generalities and paired to a mix of equally generic period images and static new art, this overview remorselessly sucks all the juice from its topic.
This survey of the growth of industries in this country from the Colonial period to the post–World War II era is written in the driest of textbook-ese: “Factories needed good transportation so that materials could reach them and so that materials could reach buyers”; “The metal iron is obtained by heating iron ore”; “In 1860, the North said that free men, not slaves, should do the work.” This text is supplemented by a jumble of narrative-overview blocks, boxed side observations and terse captions on each thematic spread. The design is packed with overlapping, misleadingly seamless and rarely differentiated mixes of small, heavily trimmed contemporary prints or (later) photos and drab reconstructions of workshop or factory scenes, along with pictures of significant inventions and technological innovations (which are, in several cases, reduced to background design elements). The single, tiny map has no identifying labels. Other new entries in the All About America series deal similarly with Explorers, Trappers, and Pioneers, A Nation of Immigrants and Stagecoaches and Railroads. Utilitarian, at best—but more likely to dim reader interest than kindle it. (index, timeline, resource lists) (Nonfiction. 8-10)
Pub Date: Feb. 1, 2012
ISBN: 978-0-7534-6670-4
Page Count: 32
Publisher: Kingfisher
Review Posted Online: Dec. 19, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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