A heartwarming picture book about the roles of courage, culture, and community in the journey of personal healing.
In this contemporary story, an Indigenous tradition inspires hope in a young girl.
Powwow Day, a Native American social gathering, arrives, but River is still recovering from an unnamed illness and feels too weak to dance. Dressed in her jingle dress and matching moccasins, she longs to join her family and friends in the Grand Entry procession. She hears the drums—“BAM. BAM. BAM. BAM”—and watches the elders enter the circle with flags and feathers. The fancy dancers “twirl and ribbons whirl,” while the “grass dancers sway and weave themselves around the circle,” but River can’t “feel the drum’s heartbeat,” and her “feet stay still.” The emcee calls for the jingle dress dancers to enter the arena. Although River needs the ceremonial healing dance, she can’t do it. Thankfully, River’s friend says she will dance for her. The rows of shiny cones on the dresses make music as the jingle dancers move: “clink, clink, clink.” The girls “dance for the Creator, the ancestors, their families, and everyone’s health.” Watching her sister, cousins, and friend dance, River’s heart begins to open and conviction enters her soul. She finally feels the drumbeat fully, but is it her time to dance? Goodnight’s vibrant, energetic digital illustrations capture the beauty and intricacy of powwow regalia as well as the unique atmosphere of a powwow gathering. Together, the artwork and text sensitively portray and celebrate a powerful ritual that upholds the culture, healing traditions, and creative spirit of Native American communities. No specific tribe is mentioned in the story, though the backmatter mentions the Ponca and Omaha tribes.
A heartwarming picture book about the roles of courage, culture, and community in the journey of personal healing. (notes, author's notes, bibliography) (Picture book. 4-8)Pub Date: Feb. 8, 2022
ISBN: 978-1-58089-948-2
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Dec. 2, 2021
Kirkus Reviews Issue: Dec. 15, 2021
PERSPECTIVES
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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