Next book

LEAVING THE GAY PLACE

BILLY LEE BRAMMER AND THE GREAT SOCIETY

An engrossing, well-documented biography of a largely forgotten writer and his place within a quickly changing period of the...

A political and pop-cultural view of midcentury America in relation to the enigmatic life of a Texas-bred political journalist and novelist.

Outside of Texas and certain literary circles, Billy Lee Brammer (1929-1978) may not evoke the cult recognition shared by his contemporaries, such as Ken Kesey or Tom Wolfe. In this entertaining and colorful new book, fiction writer and biographer Daugherty (Emeritus, English/Oregon State Univ.; Let Us Build Us a City, 2017, etc.) goes a long way toward elevating Brammer’s status. He also offers a generous glimpse into the political and personal life of Lyndon Johnson. In the mid-1950s, Brammer started working as a staff writer for Johnson, then a Texas senator, after gaining Johnson’s attention with favorable articles he wrote while an editor at the Texas Observer. Together with his first wife, Brammer maintained a demanding schedule, and he developed what would become a lifelong dependence on amphetamines, sustaining him while he also worked on his fiction. Eventually, these efforts led to his groundbreaking 1959 novel, The Gay Place. Focusing his central character largely on Johnson, Brammer’s only published novel encompasses three related novellas. Together with fellow natives such as Larry McMurtry, Brammer would alter the narrow backwoods perception of Texans. “His arch storytelling style seemed unique,” writes Daugherty, “because other writers had not yet exploited Texas’s rich hypocrisies—the bad behavior of its politicians and religious leaders. Demographically, Texas became more urban than rural in 1950. A decade later this population shift was producing striking cultural changes. Brammer was the most sophisticated, most literary example of a Texas boy from an essentially rural background to adopt an urban lifestyle, to loosen his grip on the culture’s cherished traditions, to explore the latest fashions, gadgets, art, and music.” His increasing drug dependency, which overtook any further writing ambitions, served to firmly position him within the center of the evolving 1960s counterculture movement, as he explored various underground venues and encountered such icons as Janis Joplin.

An engrossing, well-documented biography of a largely forgotten writer and his place within a quickly changing period of the 20th century.

Pub Date: Oct. 17, 2018

ISBN: 978-1-4773-1635-1

Page Count: 480

Publisher: Univ. of Texas

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Next book

GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

Close Quickview