An eloquent and urgent collection.
Reflections on racism from 40 writers.
Pulitzer Prize winner Smith, former poet laureate of the U.S., and Freeman, an executive editor at Knopf, gather poems, letters, and essays, most previously published in Literary Hub, bearing witness to systemic oppression and racial injustice. Angry, rueful, and defiant, the impressive roster of award-winning writers and academics portrays a nation wracked by pain. “There’s a revolution outside, my love,” journalist and cultural critic Kirsten West Savali writes in a moving letter to her son. “Where in the world is safe for you, my beautiful, beautiful boy?” Jasmon Drain, addressing his daughter, reflects that during the pandemic, she must wear two masks: one, her skin color; the other, protection against the virus. “Your born mask brought fear. This new one redoubles it,” he writes. “There’s no vaccine for who you’ll be or how you’ll be viewed, for the unseen or visible parts that will ofttimes be assumed of you.” Protests against police brutality inspired many pieces: “Like an arrow,” writes Native American writer Layli Long Soldier, “the images of George Floyd pierced my soul.” Living in Madison, Wisconsin, where he teaches creative writing, poet Amaud Jamaul Johnson describes “the Fault Lines of Midwestern Racism”: insidious expressions of prejudice among Whites who treat him like “a kind of mascot, a pet Negro, that one Black body in the coffee shop or at the private pool; I’ve become everyone’s one Black friend.” Francisco Goldman compares racist dictators to Trump: “The aftereffects of an evil dictatorship are hard to get rid of, to scrub clean. It usually involves a steadfast struggle, and justice is the only remedy.” In “A Letter to Black America,” Smith invokes Black solidarity, exhorting her readers to “revel in the depth and the flair and the belief and the secrecy of Blackness. We are lucky to be who we are, and we know it.” Other contributors include Edwidge Danticat, Gregory Pardlo, Ross Gay, and Camille T. Dungy.
An eloquent and urgent collection.Pub Date: May 11, 2021
ISBN: 978-0-593-31469-2
Page Count: 320
Publisher: Vintage
Review Posted Online: March 11, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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