An eloquent account, neither bitter nor saccharine, of daily life in a nursing home. The Pulitzer-winning Kidder (Among Schoolchildren, 1989, etc.) has a unique talent for transforming the minutiae of living into a mosaic that brings focus to issues—like aging—that have become diffuse intellectual exercises or emotionally charged agendas. Center stage here are two men—Lou, in his 90s, and Joe, in his 70s—roommates by chance in a nursing home in western Massachusetts. Lou is gentle and considerate, Joe gruff and passionate. Lou leads Joe to a new thoughtfulness, and Joe listens patiently to Lou's frequent retellings of boyhood stories. Kidder captures their characters, their growing friendship, and their wit through a straightforward narration that's extraordinarily revealing about courage in the face of sickness and age. He visited the nursing home every day for a year, talking to and observing residents, relatives and friends who visited, and staff. We meet Eleanor the actress; Winifred the activist, who must be hoisted mechanically from her bed and lowered into her wheelchair; Art the bon vivant; and others in varying stages of mental and physical impairment. Kidder's sympathetic viewpoint doesn't gloss over the pain, loneliness, and humiliation of deteriorating faculties. As he points out, American culture's current ``celebration...of `successful aging,' often depicted in photographs of old folks wearing tennis clothes, leaves out a lot of people...more than a million of them in nursing homes now.'' Missing here, though, are the viewpoints of the Linda Manor staff, heard from only indirectly as they interact with residents. Rich detail and true-to-the-ear dialogue let the brave and determined elderly speak for themselves—and for the continually surprising potential of the human spirit.
Pub Date: Sept. 20, 1993
ISBN: 0-395-59303-4
Page Count: 384
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1993
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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