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DRAWING LESSONS

A teenager suffers through her parents’ separation in this smoothly stylized, if conventional, debut. Aurora’s world comes crashing down when she catches her artist father nuzzling a model. Rory, a talented artist herself, furiously burns her sketchbook; suddenly he’s gone, leaving Rory and her mother wallowing in teary guilt, sending back a letter with lines that infuriate: “one day you’ll understand,” and “someday, when you’re older . . . “ Rory stops all painting and drawing, and curls up around the hurt, stonewalling even her best friend, Nicky. Rory’s almost continual awareness of light and color gives her a convincing artist’s voice, and Mack sets her back on her feet in the end, with the help of time, Nicky’s loyalty, and a startling gift from her father: her charred sketchbook, rescued and repaired both as a sign of his love, and to remind her to believe in herself. Psychological insight here is but skin deep, and the characters play it pretty close to type, but readers may be affected by the story’s overall emotional intensity. (Fiction. 11-13)

Pub Date: March 1, 2000

ISBN: 0-439-11202-8

Page Count: 168

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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GUTS

THE TRUE STORIES BEHIND HATCHET AND THE BRIAN BOOKS

Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)

Pub Date: Feb. 1, 2001

ISBN: 0-385-32650-5

Page Count: 150

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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OY, JOY!

A breezy middle-school romance from Frank (Will You Be My Brussels Sprout?, 1996, etc.). Not only does the level of domestic tension rise rapidly after her mother’s Uncle Max, recovering from a stroke, moves into the cramped Cooper apartment, but Joy suddenly finds herself on the outs with her best friend Maple, who has become joined at the hip to amateur musician Wade. Joy makes a new connection, too, due to some surreptitious matchmaking by Uncle Max: enter a friendly, eminently promising older schoolmate, also named Max. While this budding relationship is growing into full-scale delirium, Joy returns the favor by encouraging Uncle Max and his garrulous neighbor, Rose, to spend time together; by the end, Uncle Max follows Rose to her winter quarters in Florida, and offers to trade his roomy apartment for theirs. Cast with likable, well-meaning characters, driven more by cheers than tears, this tidily resolved New York City tale will please Frank’s fans, and send newcomers to her earlier books. (Fiction. 11-13)

Pub Date: Oct. 1, 1999

ISBN: 0-7894-2538-6

Page Count: 277

Publisher: DK Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1999

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