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CHICKEN WANTS A NAP

A surprising gem.

A day on the farm, seen through the eyes of a lively chicken.

“It’s a good day to be a chicken. The sun is up. The grass is warm. And chicken wants a nap.” Marchini’s minimal text runs in short sentences across the bottom of the book’s pages, the better to highlight Felix’s distinctive, painterly illustrations. Her chicken, with white feathers, yellow feet and bill, green eyes, and bright-red wattle and comb, has personality, nobility, and a kind of beauty. As the day progresses, the chicken’s plan to nap is consistently foiled, first by a sudden rain. She finds refuge in the quiet barn, but it’s disrupted by the loud, malodorous cows. The chicken next tries to find some peace on the porch, which is covered because “the farmer is kind.” This time it’s the loud barking of the friendly farm dog that disrupts. Again, the chicken cannot nap. It becomes a good day again when the rain stops and the worms come out of the ground. Belly full, the chicken is finally able to nap. But: “It’s a bad day to be a worm,” is the cheeky close. Marchini and Felix successfully portray their chicken as a real animal, not a cartoon or a human stand-in, and present life on a small farm. Marchini’s story and economy of telling display the chicken as total id, and Felix’s pencil-and-watercolor illustrations are genuine works of art.

A surprising gem. (Picture book. 3-7)

Pub Date: Sept. 1, 2017

ISBN: 978-1-56846-308-7

Page Count: 24

Publisher: Creative Editions/Creative Company

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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