An informative look at an inventor and his invention’s impact.
In 1836, John Deere—then a young, white Vermont father and blacksmith—moved to Illinois to settle debts brought on by two forge fires—and wound up inventing a superior plow.
Deere was an excellent blacksmith whose plow improvement was purely pragmatic: many of his farming customers were ready to give up on Illinois, and he needed their payments to bring his family to him from Vermont. Farmers accustomed to sandy soil discovered that the Midwest’s rich, black soil stuck to their easily pitted, heavy iron plows—causing frequent pauses to scrape off what they called “gumbo.” Deere tinkered with a discarded steel blade from a sawmill, thinking that a shiny, curved, lightweight plow might “slice through gumbo.” Soon overcoming skeptics by demonstrations and giving samples to farmers, John Deere’s “singing plow” became wildly popular. By 1838 he had moved his family to his side and had established a manufacturing company still in existence. The only missing piece in Maurer’s tale is a sudden leap from “steel was rare that far west and too pricey” to the big success story; readers must make their own deductions. Otherwise, the text is smoothly conversational and has just enough details to interest without overwhelming. The illustrations are gorgeous: semiprimitive paintings with deliberate crackling for an aging effect. The winding patterns of rivers and plows are especially noteworthy.
An informative look at an inventor and his invention’s impact. (glossary, additional facts, bibliography) (Picture book/biography. 5-9)Pub Date: March 28, 2017
ISBN: 978-1-62779-129-8
Page Count: 40
Publisher: Henry Holt
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Utterly compelling.
The authors of Fatty Legs (2010) distill that moving memoir of an Inuit child’s residential school experience into an even more powerful picture book.
“Brave, clever, and as unyielding” as the sharpening stone for which she’s named, Olemaun convinces her father to send her from their far-north village to the “outsiders’ school.” There, the 8-year-old receives particularly vicious treatment from one of the nuns, who cuts her hair, assigns her endless chores, locks her in a dark basement and gives her ugly red socks that make her the object of other children’s taunts. In her first-person narration, she compares the nun to the Queen in Alice in Wonderland, a story she has heard from her sister and longs to read for herself, subtly reminding readers of the power of literature to help face real life. Grimard portrays this black-cloaked nun with a scowl and a hooked nose, the image of a witch. Her paintings stretch across the gutter and sometimes fill the spreads. Varying perspectives and angles, she brings readers into this unfamiliar world. Opening with a spread showing the child’s home in a vast, frozen landscape, she proceeds to hone in on the painful school details. A final spread shows the triumphant child and her book: “[N]ow I could read.”
Utterly compelling. (Picture book/memoir. 5-9)Pub Date: April 1, 2013
ISBN: 978-1-55451-490-8
Page Count: 32
Publisher: Annick Press
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
A beautifully designed book that will resonate with children and the adults who wisely share it with them.
An inspirational ode to the life of the great South African leader by an award-winning author and illustrator.
Mandela’s has been a monumental life, a fact made clear on the front cover, which features an imposing, full-page portrait. The title is on the rear cover. His family gave him the Xhosa name Rolihlahla, but his schoolteacher called him Nelson. Later, he was sent to study with village elders who told him stories about his beautiful and fertile land, which was conquered by European settlers with more powerful weapons. Then came apartheid, and his protests, rallies and legal work for the cause of racial equality led to nearly 30 years of imprisonment followed at last by freedom for Mandela and for all South Africans. “The ancestors, / The people, / The world, / Celebrated.” Nelson’s writing is spare, poetic, and grounded in empathy and admiration. His oil paintings on birch plywood are muscular and powerful. Dramatic moments are captured in shifting perspectives; a whites-only beach is seen through a wide-angle lens, while faces behind bars and faces beaming in final victory are masterfully portrayed in close-up.
A beautifully designed book that will resonate with children and the adults who wisely share it with them. (author’s note, bibliography) (Picture book/biography. 5-8)Pub Date: Jan. 2, 2013
ISBN: 978-0-06-178374-6
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 18, 2012
Kirkus Reviews Issue: Dec. 1, 2012
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