An excellent, entertaining choice to highlight social-emotional skills, history, and STEM.
“Who created instant messages and changed the world forever?”
Lively, fact-based text and energetic, kid-friendly illustrations capture the feeling of a past era to present the story of frustrated artist and creative inventor Samuel Morse. Setting the scene quickly so youngsters can jump right in, Maurer good-naturedly portrays Morse’s artistic snobbery and vision, his not-so-successful experiments with invention, his interest in innovation, his willingness to take risks, his inquiring mind, and his resilience, presenting her subject as a real person to identify with rather than a flawless hero to be coolly admired. This is not a tale of diversity; the cast of characters is primarily male and white, though there are some women and people of color in the background. Periodic questions about Morse’s ideas appear within the story, clarifying Morse’s historical role and allowing for the repeated, titular refrain: “Samuel Morse, that’s who!” By breaking down the invention of the telegraph into steps that readers will easily understand, the text effectively explains how the invention works as well as how it came to be, and young readers and listeners just may be inspired to try some inventing of their own. Backmatter includes a timeline, bibliography, additional facts, and an author’s note. For readers who are able to remove the jacket, there is a Morse code chart on its reverse.
An excellent, entertaining choice to highlight social-emotional skills, history, and STEM. (Picture book/biography. 5-8)Pub Date: June 25, 2019
ISBN: 978-1-62779-130-4
Page Count: 40
Publisher: Henry Holt
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
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