A satisfying snow day saga.
Follow one child’s monumental effort to catch a snowflake.
Liam, a small, dark-haired child with peach-colored skin, has a singular mission: “I want to catch a snowflake. Just one snowflake. Right here.” (The accompanying image shows the young narrator, tongue sticking out.) Wearing green mittens, snow boots, and bobble hat, Liam spends the whole day romping in the snow. The child lies on the ground, builds a snowman, and then climbs it (to be closer to the sky) and even runs as fast as possible, mouth open, to no avail. Exhausted by these efforts and then called inside, Liam catches the last snowflake of the day with a flying leap…as the flake lands, safely in hand. As Liam heads inside for cocoa and crafts, the day ends on a comfortable note. Jonker’s naïve illustrations feature thick black lines and expressive movement with comic strip–like pacing. A detailed closeup on the last flake of the day shows the crystalline snowflake melt in the warmth of Liam’s mitten in a wordless four-panel page that brings just the right amount of wonder and beauty to this otherwise whimsical tale. Liam’s various snow-swallowing poses, tongue lolling out, are sure to entertain, and even though “hot chocolate probably tastes better anyway,” any young reader excited about a snow day can be expected to attempt to follow suit.
A satisfying snow day saga. (Picture book. 4-8)Pub Date: Oct. 10, 2023
ISBN: 9781419760112
Page Count: 48
Publisher: Abrams
Review Posted Online: Sept. 23, 2023
Kirkus Reviews Issue: Oct. 15, 2023
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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