A somewhat disjointed narrative with flashes of brilliant storytelling and acute observations on South African culture.
The host of The Daily Show reflects on his tumultuous South African childhood.
In a gritty memoir, Noah relates his harsh experiences growing up during the final years of apartheid and the chaotic and racially charged conflicts that would continue to undermine the newly won freedom that was established in its aftermath. His story unfolds through a series of loosely assembled essays that touch on his home life and school environment and later expand outward to various cities and neighborhoods and his encounters with petty crime and confrontations with domestic violence. Throughout, the author documents the evolving yet continually challenging race relations among blacks, whites, and “coloreds.” Noah was born the son of a white Swiss-German father and a devoutly Christian black Xhosa mother who purposely chose to have a child through a mixed relationship, with full understanding of the legal ramifications established under the Immorality Act of 1927, which banned illicit carnal relations between a native woman and a European male. Noah’s mother proved to be the dominant, remarkable force throughout his life, constantly striving to instill deep values of education, religion, and freedom as she struggled with her own desire for independence. “Perhaps even more amazing is the fact that my mother started her little project, me, at a time when she could not have known that apartheid would end,” writes the author. “There was no reason to think it would end; it had seen generations come and go. I was nearly six when Mandela was released, ten before democracy finally came, yet she was preparing me to live a life of freedom long before we knew freedom would exist.” On the whole, though studded with insight and provocative social criticism, Noah’s material doesn’t feel fully digested. As an accomplished adult humorist looking back to his childhood self, the attempt to inject a humorous tone into these grim proceedings frequently hits an awkward note.
A somewhat disjointed narrative with flashes of brilliant storytelling and acute observations on South African culture.Pub Date: Nov. 15, 2016
ISBN: 978-0-399-58817-4
Page Count: 304
Publisher: Spiegel & Grau
Review Posted Online: Sept. 21, 2016
Kirkus Reviews Issue: Oct. 1, 2016
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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