Startling in its honesty, humor, and humility.
Noah’s pre-comedian experience of growing up in a country first strictly divided and then rocked by the fall of apartheid loses some of its grit but none of its potency in this YA adaptation of his memoir for adults Born a Crime (2016).
Indisputable evidence of his white European father and his black Xhosa mother’s illegal interracial relationship, Noah spends his childhood as a perpetual outsider—too black for the white people, too white for the black people, and too mixed for everyone else. But a tenacious spirit of curiosity, an impressive mischievous streak, and an uncompromisingly independent mother shape much of Noah’s early years, and instances of struggle, danger, and bullying are attributed to political upheaval, racism, and bigotry mainly through the lens of adult hindsight. Divided into chapters of individual but interconnected childhood recollections, the book mirrors some of the ebb and flow of Noah’s stand-up—strategically disjointed to fuel emotional crescendos without overlapping and diluting them. North American readers unacquainted with South African culture may encounter some different (but not wholly unfamiliar) racial dynamics—the term “colored people,” for instance, has a different meaning and history than it does in the U.S.—but Noah does a thorough job of walking them through the colonial history, cultural and language idiosyncrasies, and political structures without bogging down the text, and what he doesn’t fully unpack still leaves room for discussion.
Startling in its honesty, humor, and humility. (historical note) (Memoir. 13-18)Pub Date: April 9, 2019
ISBN: 978-0-525-58216-8
Page Count: 304
Publisher: Delacorte
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
A thoughtful, engaging history for intermediate students interested in Africa.
Oliver’s debut, about one of West Africa’s most powerful and charismatic leaders, delivers a vibrant mix of history and historical fiction for young adults.
The book introduces the medieval empire of Mali with several short narrative essays on trans-Atlantic exploration, trade and mining and soon narrows its focus to the compelling life story of the emperor Mansa Musa, who ruled Mali in the early 1300s. Oliver shows how Musa gained influence while making a lavish, politically important trip to Mecca, and his deft explanation of how Musa crossed the vast Sahara Desert briefly but skillfully conveys the difficulty of the lengthy voyage. This enjoyable work smoothly blends historical text with memorable anecdotes from primary and secondary sources, photos and sketches of replicas of ancient and medieval African art, and well-drawn maps. The book moves at a fast pace, and the author’s clear, straightforward style is likely to appeal to young adults. He easily switches between topics, discussing history (how Musa gained recognition in Egypt and North Africa), religion (how Islam shaped Musa and his empire), architecture (the methods of construction for Malian mud-brick buildings) and fables (the legend of the Malian “gold plant”). However, Oliver always strives for historical accuracy; even his fictional account of a young sandal maker who travels to Niani’s great market contains period-appropriate language and scenery. The book also includes a lengthy glossary that is amply illustrated with drawings and photographs of West African boats and buildings. The work’s one shortcoming is its abrupt ending after Musa returns home; it lacks a thorough explanation as to how and why the empire of Mali eventually dissolved.
A thoughtful, engaging history for intermediate students interested in Africa.Pub Date: March 26, 2013
ISBN: 978-1468053548
Page Count: 128
Publisher: CreateSpace
Review Posted Online: July 31, 2013
Review Program: Kirkus Indie
The life of Manjiro Nakahama, also known as John Mung, makes an amazing story: shipwrecked as a young fisherman for months on a remote island, rescued by an American whaler, he became the first Japanese resident of the US. Then, after further adventures at sea and in the California gold fields, he returned to Japan where his first-hand knowledge of America and its people earned him a central role in the modernization of his country after its centuries of peaceful isolation had ended. Expanding a passage from her Commodore Perry in the Land of the Shogun (1985, Newbery Honor), Blumberg not only delivers an absorbing tale of severe hardships and startling accomplishments, but also takes side excursions to give readers vivid pictures of life in mid-19th-century Japan, aboard a whaler, and amidst the California Gold Rush. The illustrations, a generous mix of contemporary photos and prints with Manjiro’s own simple, expressive drawings interspersed, are at least as revealing. Seeing a photo of Commodore Perry side by side with a Japanese artist’s painted portrait, or strange renditions of a New England town and a steam train, based solely on Manjiro’s verbal descriptions, not only captures the unique flavor of Japanese art, but points up just how high were the self-imposed barriers that separated Japan from the rest of the world. Once again, Blumberg shows her ability to combine high adventure with vivid historical detail to open a window onto the past. (source note) (Biography. 10-13)
Pub Date: Feb. 28, 2001
ISBN: 0-688-17484-1
Page Count: 80
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2000
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