by Tricia Elam Walker ; illustrated by Ekua Holmes ‧ RELEASE DATE: Nov. 16, 2021
Dreams for Black children manifest in striking art as the very idea of streetis reimagined.
In an already-special neighborhood, a very special street ensures that a community is able to thrive.
Dream Street is an appropriately named space for Black kids to play and grow with the nourishment and support of their elders. From the chalk drawings and hopscotch boards to the garden behind Dessa Rae’s house or Ede’s treasure trove at the top of the hill, the neighborhood very much teems with life and the aspirations of these young people. Holmes’ brilliantly hued collage work and Walker’s detailed genealogy of the street show how Ms. Sarah the Hat Lady, the dapper retiree Mr. Sidney, Ms. Barbara the friendly librarian, and several other adults have all paved the way for Dream Street to be an avenue of communal enrichment and thoughtful preparation for everything that awaits these kids. The book is more a collection of character studies than a story, and each double-page spread is devoted to one person or, sometimes, a group. Walker’s text sits opposite Holmes’ portraits, which occupy as much space as they need. The five Phillips boys, all named for jazz musicians, stand close together for a single-page vertical composition in their Sunday suits; Dessa Rae’s portrait extends across the gutter, allowing her to stretch out in a chaise longue with grandbaby Little Song pillowed on her chest. (This book was reviewed digitally.)
Dreams for Black children manifest in striking art as the very idea of streetis reimagined. (author & illustrator's note) (Picture book. 4-10)Pub Date: Nov. 16, 2021
ISBN: 978-0-525-58110-9
Page Count: 32
Publisher: Anne Schwartz/Random
Review Posted Online: July 13, 2021
Kirkus Reviews Issue: Aug. 1, 2021
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Susan McElroy Montanari ; illustrated by Teresa Martínez ‧ RELEASE DATE: Aug. 6, 2019
Just the thing for anyone with a Grinch-y tree of their own in the yard.
A grouchy sapling on a Christmas tree farm finds that there are better things than lights and decorations for its branches.
A Grinch among the other trees on the farm is determined never to become a sappy Christmas tree—and never to leave its spot. Its determination makes it so: It grows gnarled and twisted and needle-less. As time passes, the farm is swallowed by the suburbs. The neighborhood kids dare one another to climb the scary, grumpy-looking tree, and soon, they are using its branches for their imaginative play, the tree serving as a pirate ship, a fort, a spaceship, and a dragon. But in winter, the tree stands alone and feels bereft and lonely for the first time ever, and it can’t look away from the decorated tree inside the house next to its lot. When some parents threaten to cut the “horrible” tree down, the tree thinks, “Not now that my limbs are full of happy children,” showing how far it has come. Happily for the tree, the children won’t give up so easily, and though the tree never wished to become a Christmas tree, it’s perfectly content being a “trick or tree.” Martinez’s digital illustrations play up the humorous dichotomy between the happy, aspiring Christmas trees (and their shoppers) and the grumpy tree, and the diverse humans are satisfyingly expressive.
Just the thing for anyone with a Grinch-y tree of their own in the yard. (Picture book. 4-8)Pub Date: Aug. 6, 2019
ISBN: 978-1-4926-7335-4
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Susan McElroy Montanari ; illustrated by Jake Parker
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by Susan McElroy Montanari ; illustrated by Brian Pinkney
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by Susan McElroy Montanari ; illustrated by Jake Parker
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