by Tricia Gardella Tricia Gardella ; illustrated by Karen Donnelly ; Karen Donnelly ‧ RELEASE DATE: Feb. 1, 2023
A celebration of familial warmth and the rewards of maturing sibling relationships.
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A young girl discovers the value of mentoring her tag-along little sister in Gardella’s picture book.
Kids and grandmas having fun together are a favorite picture book subject; that’s what’s going on here, as two girls help their jovial grandmother can tomatoes. The author, however, neatly weaves the specifics of tomato canning into a deeper theme: the changing dynamic between a young girl and her little sister. At first, the book’s nameless narrator, who has been her grandma’s only helper at canning time, is dismayed when grandma insists that she bring little sister, Monica, along to help. (“‘She’s too little,’ I complain”). With subtle encouragement from Grandma (a wink of understanding here, a shared giggle there), the narrator (who has fair skin and brown hair) realizes how enjoyable it is to see the experience fresh through Monica’s wide eyes and to offer her guidance and encouragement. The author states that most of her books are inspired by her many years of ranch life—her entertaining description of the canning process, from picking the tomatoes to labeling the jars, is certainly meticulous enough to feel firsthand. The warmth in the text is well matched by Donnelly’s full-color, painterly illustrations that give the well-defined characters life on the page.
A celebration of familial warmth and the rewards of maturing sibling relationships.Pub Date: Feb. 1, 2023
ISBN: 9781959412106
Page Count: 38
Publisher: N/A
Review Posted Online: Dec. 15, 2023
Review Program: Kirkus Indie
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by Dan Santat ; illustrated by Dan Santat ‧ RELEASE DATE: Oct. 3, 2017
A validating and breathtaking next chapter of a Mother Goose favorite.
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Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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