Happiness and comfort overflow in this cozy tale of domestic bliss. An African-American boy, Jay Jay, narrates the weekly event in which “uncles and aunties, cousins and friends” all gather at Grannie’s house for Sunday dinner. Jay Jay’s mother drops him off on her way to pick up his father, so he and Grannie, whose face is as soft and warm as a down comforter, wait for the other guests. Cooke (The Grandad Tree, 2000, etc.) portrays Jay Jay’s anticipation in true child form as he repeatedly asks if dinner’s ready yet and watches restlessly out the window. The focus on Jay Jay and Grannie in the beginning might lead the reader to expect more of a story about their relationship rather than a celebration of ritual and family, but a celebration it is. Cars full of relatives finally pull up and out tumble tired, but cheerful parents and excited kids. Howard’s (One Bright Penny, p. 1395, etc.) inviting illustrations capture the complex expressions and postures of the adults and the children’s giddy and gleeful faces. The rhyming dinner menu, which Jay Jay recites, is astounding. “There were buttery peas, chicken and yams, macaroni and cheese, potatoes and ham. Biscuits, gravy, collard greens, pasta salad, rice and red beans! There was apple pie and vanilla ice cream, fresh peach cobbler covered in steam, raspberry sauce, coffee and tea—plenty, plenty for everybody!” Though a February release, the content invokes the holiday season and voices the importance of family without forcing it down anyone’s throat. Nothing else could fit after that meal anyway. (Picture book. 3-6)
Pub Date: Feb. 1, 2003
ISBN: 0-7636-1851-9
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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