An excellent story about a man who remembers the community he came from and actively works to ensure its future success.
“Trombone Shorty” Andrews (with an authorial assist from Taylor) and illustrator Collier bring to life another compelling, true story of Andrews’ early life.
As a young boy, Shorty loved playing music with his friends so much that they created the eponymous band (so named because they practiced at 5:00 after finishing homework and chores). In this picture-book account, Troy becomes so caught up in playing his own music that he arrives late for the band’s performance and planned parade to discover that they left without him. Disappointed with himself, Troy wonders how he might ever become a bandleader after letting down his own band members. Crestfallen, he journeys through town, looking for his band. On his way, he encounters three New Orleans institutions—musician Tuba Tremé; Queen Lola, Creole chef; and a troupe of Mardi Gras Indians—who help him understand the ingredients for success. Collier’s characteristic collage illustrations effectively represent Troy’s emotional struggle for self-improvement, and the level of detail in the images portrays the liveliness of New Orleans well. Backmatter includes extensive notes from the author and illustrator and information about the Trombone Shorty Foundation, which exists to “preserve the rich musical culture of New Orleans.”
An excellent story about a man who remembers the community he came from and actively works to ensure its future success. (Picture book. 4-8)Pub Date: June 19, 2018
ISBN: 978-1-4197-2836-5
Page Count: 40
Publisher: Abrams
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
BOOK REVIEW
Enthusiastic and direct, this paean has a lovely ring to it.
Former National Youth Poet Laureate Gorman invites girls to raise their voices and make a difference.
“Today, we finally have a say,” proclaims the first-person plural narration as three girls (one presents Black, another is brown-skinned, and the third is light-skinned) pass one another marshmallows on a stick around a campfire. In Wise’s textured, almost three-dimensional illustrations, the trio traverse fantastical, often abstract landscapes, playing, demonstrating, eating, and even flying, while confident rhymes sing their praises and celebrate collective female victories. The phrase “LIBERATION. FREEDOM. RESPECT” appears on a protest sign that bookends their journey. Simple and accessible, the rhythmic visual storytelling presents an optimistic vision of young people working toward a better world. Sometimes family members or other diverse comrades surround the girls, emphasizing that power comes from community. Gorman is careful to specify that “some of us go by she / And some of us go by they.” She affirms, too, that each person is “a different shape and size,” though the art doesn’t show much variation in body type. Characters also vary in ability. Real-life figures emerge as the girls dream of past luminaries such as author Octavia Butler and activist Marsha P. Johnson, along with present-day role models including poet and journalist Plestia Alaqad and athlete Sha’carri Richardson; silhouettes stand in for heroines as yet unknown. Imagining that “we are where change is going” is hopeful indeed.
Enthusiastic and direct, this paean has a lovely ring to it. (Picture book. 4-8)Pub Date: Jan. 7, 2025
ISBN: 9780593624180
Page Count: 32
Publisher: Viking
Review Posted Online: Oct. 12, 2024
Kirkus Reviews Issue: Nov. 15, 2024
BOOK REVIEW
BOOK REVIEW
A well-meaning but lackluster tribute.
Readers bid farewell to a beloved canine character.
Momo is—or was—an adorable and very photogenic border collie owned by author Knapp. The many readers who loved him in the previous half-dozen books are in for a shock with this one. “Momo had died” is the stark reality—and there are no photographs of him here. Instead, Momo has been replaced by a flat cartoonish pastiche with strange, staring round white eyes, inserted into some of Knapp’s photography (which remains appealing, insofar as it can be discerned under the mixed media). Previous books contained few or no words. Unfortunately, virtuosity behind a lens does not guarantee mastery of verse. The art here is accompanied by words that sometimes rhyme but never find a workable or predictable rhythm (“We’d fetch and we’d catch, / we’d run and we’d jump. Every day we found new / games to play”). It’s a pity, because the subject—a pet’s death—is an important one to address with children. Of course, Momo isn’t gone; he can still be found “everywhere” in memories. But alas, he can be found here only in the crude depictions of the darling dog so well known from the earlier books.
A well-meaning but lackluster tribute. (Picture book. 4-8)Pub Date: Feb. 6, 2024
ISBN: 9781683693864
Page Count: 32
Publisher: Quirk Books
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
BOOK REVIEW
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