by Truman Capote ‧ RELEASE DATE: Nov. 27, 2007
Capote’s about due for a revival. This is the sampler to spark it.
“I’d never known anyone who wrote,” Capote once remarked of his small-town Southern childhood, the start of many a story. “Indeed, I knew few people who read.”
He has been dead for nearly a quarter of a century, and Capote would be chagrined to find that, yes, few people read, and fewer read him now than in his heyday, despite two recent films devoted to his life circa In Cold Blood. This well-made selection of essays, excerpts and interviews memorializes the Capote who was at once more and less than the careerist literary journalist of that era—the bon vivant who fed himself baked potatoes stuffed with caviar; the haunted romantic who declared that the most beautiful word and the most dangerous word in English were one and the same: love. He was also the gossip, social butterfly and hanger-on who did not like actors (of John Gielgud: “all his brains are in his voice”; of Marlon Brando: “No actor . . . has transported intellectual falsity to higher levels of hilarious pretension”) or politicians except, strangely, Ronald Reagan and Adlai Stevenson, but who always managed to be around actors and politicians. Capote is largely remembered today as a personality, a celebrity and Tonight Show fixture, but he was a brilliant writer first and always. This anthology gathers many pieces that stand up well against anyone’s work, as with his description of a New York heat wave or of the tony-crowd, pre-jetset life on a Mediterranean island (“Ischia was no place for the rush of hours, islands never are”). The best parts find Capote at his most relaxed, inclined to make fun of his many peculiarities, especially when they butt up against others’ eccentricities. Capote’s account of a chicken dinner with a famed artist gone awry is one of the funniest pieces in the culinary literature and a pleasure in any context.
Capote’s about due for a revival. This is the sampler to spark it.Pub Date: Nov. 27, 2007
ISBN: 978-1-4000-6661-2
Page Count: 544
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2007
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by Truman Capote & edited by Gerald Clarke
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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