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PORTRAITS AND OBSERVATIONS

THE ESSAYS OF TRUMAN CAPOTE

Capote’s about due for a revival. This is the sampler to spark it.

“I’d never known anyone who wrote,” Capote once remarked of his small-town Southern childhood, the start of many a story. “Indeed, I knew few people who read.”

He has been dead for nearly a quarter of a century, and Capote would be chagrined to find that, yes, few people read, and fewer read him now than in his heyday, despite two recent films devoted to his life circa In Cold Blood. This well-made selection of essays, excerpts and interviews memorializes the Capote who was at once more and less than the careerist literary journalist of that era—the bon vivant who fed himself baked potatoes stuffed with caviar; the haunted romantic who declared that the most beautiful word and the most dangerous word in English were one and the same: love. He was also the gossip, social butterfly and hanger-on who did not like actors (of John Gielgud: “all his brains are in his voice”; of Marlon Brando: “No actor . . . has transported intellectual falsity to higher levels of hilarious pretension”) or politicians except, strangely, Ronald Reagan and Adlai Stevenson, but who always managed to be around actors and politicians. Capote is largely remembered today as a personality, a celebrity and Tonight Show fixture, but he was a brilliant writer first and always. This anthology gathers many pieces that stand up well against anyone’s work, as with his description of a New York heat wave or of the tony-crowd, pre-jetset life on a Mediterranean island (“Ischia was no place for the rush of hours, islands never are”). The best parts find Capote at his most relaxed, inclined to make fun of his many peculiarities, especially when they butt up against others’ eccentricities. Capote’s account of a chicken dinner with a famed artist gone awry is one of the funniest pieces in the culinary literature and a pleasure in any context.

Capote’s about due for a revival. This is the sampler to spark it.

Pub Date: Nov. 27, 2007

ISBN: 978-1-4000-6661-2

Page Count: 544

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2007

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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