by Truman Capote ‧ RELEASE DATE: Feb. 28, 1949
Doubtful- yes- for the critical reception accorded Truman Capote last year- and the sensational success of his first book will establish acceptance, in many quarters, for this, his second. As in Other Voices, Other Rooms, Mr. Capote still concerns himself with dark corners and perversions. However, in using the short story rather than the novel form to play around these inverted folk, A Tree of Night avoids the rambling vagaries that characterized Other Voices. These stories are bold, even crystalline, showing a remarkable beauty of language and a variation of setting that eliminates the hot house, overgrown plant atmosphere of Capote's novel. There is the story of Miriam, a lonely New Yorker in her sixties who finds herself suddenly aware that she is schizophrenic, and faced with her image in the shape of a persistent, evil little girl of ten... The title story, which takes place on a hot, stale train going to Atlanta, deals with the sophomore Kay and her encounters with two passengers, — a drunken fat woman, and a deaf, salacious old man, these two representing a kind of tenacious insanity... Master Misery, another New York City story, tells of Sylvia who sells her dreams, and in the process, her soul, to a gentleman who types them up and files them away.....The already known The Headless Hawk goes into subterranean twisted-mind territory and the strange goings on between a homosexual- heterosexual art dealer and his equally homosexual-heterosexual love.....There are others, like Shut a Final Door, in which a man is pursued by his own private demons, and like Children on their Birthdays, which presents an overly mature and frustrated child — all sensitive and creative, with their own special type of brilliance. Mr. Capote sets up struggles between his characters and then places them in environments that waver from the psychotic to the supernatural... Not palatable reading for the conservative, the tender skinned. The market is obvious, from his first.
Pub Date: Feb. 28, 1949
ISBN: N/A
Page Count: -
Publisher: Random House
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: Feb. 1, 1949
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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