A poignant story of art, growth and loss. (further reading, websites, list of museums) (Historical fiction. 10-14)
A young boy discovers the power of art during wartime in Matti’s second novel (Departure Time, 2010).
It’s November 1943 in New York City. When Linus’ older brother Albie leaves for the war, household responsibilities, just like the family’s well-worn shoes, pass down from sibling to sibling. Linus inherits the job of delivering groceries for the family store, and every other week, he brings a crate of oranges to a man he dubs “Mister Orange.” Based on the Dutch painter Piet Mondrian, Mister Orange introduces Linus to the “the colors of the future”—yellow, red and blue—that decorate his canvases and his apartment. For Linus, visiting Mister Orange, with whom he discusses art and who teaches him the boogie-woogie, is a welcome distraction from Albie’s absence. However, Linus soon wonders if art, whether it’s comic books or Mister Orange’s paintings, has a purpose when soldiers are dying. Matti ably depicts Linus’ loss of innocence as he discovers the brutality of war. However, certain subplots, like a fight between Linus and his best friend, feel too easily resolved. The novel is strongest in the depiction of Linus’ unlikely friendship with Mister Orange, who has a childlike spirit but also knows how art can be a way to fight for freedom. Concluding notes on Mondrian add context.
A poignant story of art, growth and loss. (further reading, websites, list of museums) (Historical fiction. 10-14)Pub Date: Jan. 14, 2013
ISBN: 978-1-59270-123-0
Page Count: 164
Publisher: Enchanted Lion Books
Review Posted Online: Nov. 13, 2012
Kirkus Reviews Issue: Dec. 1, 2012
BOOK REVIEW
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel,...
Adventure drags our heroine all over the map of fantasyland while giving her the opportunity to use her smarts.
Elisa—Princess Lucero-Elisa de Riqueza of Orovalle—has been chosen for Service since the day she was born, when a beam of holy light put a Godstone in her navel. She's a devout reader of holy books and is well-versed in the military strategy text Belleza Guerra, but she has been kept in ignorance of world affairs. With no warning, this fat, self-loathing princess is married off to a distant king and is embroiled in political and spiritual intrigue. War is coming, and perhaps only Elisa's Godstone—and knowledge from the Belleza Guerra—can save them. Elisa uses her untried strategic knowledge to always-good effect. With a character so smart that she doesn't have much to learn, body size is stereotypically substituted for character development. Elisa’s "mountainous" body shrivels away when she spends a month on forced march eating rat, and thus she is a better person. Still, it's wonderfully refreshing to see a heroine using her brain to win a war rather than strapping on a sword and charging into battle.
Despite the stale fat-to-curvy pattern, compelling world building with a Southern European, pseudo-Christian feel, reminiscent of Naomi Kritzer's Fires of the Faithful (2002), keeps this entry fresh. (Fantasy. 12-14)Pub Date: Sept. 1, 2011
ISBN: 978-0-06-202648-4
Page Count: 432
Publisher: Greenwillow Books
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
It’s the haunting details of those around Kai that readers will remember.
Kai’s life is upended when his coastal village is devastated in Japan’s 2011 earthquake and tsunami in this verse novel from an author who experienced them firsthand.
With his single mother, her parents, and his friend Ryu among the thousands missing or dead, biracial Kai, 17, is dazed and disoriented. His friend Shin’s supportive, but his intact family reminds Kai, whose American dad has been out of touch for years, of his loss. Kai’s isolation is amplified by his uncertain cultural status. Playing soccer and his growing friendship with shy Keiko barely lessen his despair. Then he’s invited to join a group of Japanese teens traveling to New York to meet others who as teenagers lost parents in the 9/11 attacks a decade earlier. Though at first reluctant, Kai agrees to go and, in the process, begins to imagine a future. Like graphic novels, today’s spare novels in verse (the subgenre concerning disasters especially) are significantly shaped by what’s left out. Lacking art’s visceral power to grab attention, verse novels may—as here—feel sparsely plotted with underdeveloped characters portrayed from a distance in elegiac monotone. Kai’s a generic figure, a coat hanger for the disaster’s main event, his victories mostly unearned; in striking contrast, his rural Japanese community and how they endure catastrophe and overwhelming losses—what they do and don’t do for one another, comforts they miss, kindnesses they value—spring to life.
It’s the haunting details of those around Kai that readers will remember. (author preface, afterword) (Verse fiction. 12-14)Pub Date: Jan. 12, 2016
ISBN: 978-0-553-53474-0
Page Count: 272
Publisher: Crown
Review Posted Online: Sept. 15, 2015
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