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STOKES

THE BRIEF CAREER OF THE NBA'S FIRST BLACK SUPERSTAR

A poignant might have been, worth remembering and still as cogent as ever.

A wrenching tale of glittering prospects cut short by mischance.

“Nobody had ever seen a guy his size score, defend, rebound, dribble, and pass so well.” Some may quibble with the authors’ decision to bill Maurice Stokes as the NBA’s “First Black Superstar,” but they convincingly contend that his versatility changed the game for Black players. Moreover, few if any basketball players of any race have had a stronger start to their careers—which makes it all the more tragic that he suffered a head injury during the last game of the 1957-58 season (his third as a pro) that left him paralyzed from the neck down. With therapy, he did eventually regain limited movement. Along with providing an inspiring example of hard work in the face of overwhelming obstacles, this brief account presents a moving friendship tale. Stokes’ white teammate Jack Twyman not only stepped up to help make financial arrangements for his care for the remaining 12 years of his life, but he also co-organized the first of what became an annual fundraiser game. In realistically modeled painted scenes, Ollivierre depicts racially diverse teams and figures with individualized, animated features; Stokes lights up the room before and after the accident, and before a closing recap with photos, he joins some of his successors in a final lineup of recognizable basketball luminaries from Bill Russell to Shaquille O’Neal and Stephen Curry.

A poignant might have been, worth remembering and still as cogent as ever. (source notes, bibliography) (Picture-book biography. 7-9)

Pub Date: Oct. 1, 2024

ISBN: 9781728492490

Page Count: 32

Publisher: Millbrook/Lerner

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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JUST LIKE JESSE OWENS

A pivotal moment in a child’s life, at once stirring and authentically personal.

Before growing up to become a major figure in the civil rights movement, a boy finds a role model.

Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)

A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)

Pub Date: Aug. 2, 2022

ISBN: 978-0-545-55465-7

Page Count: 40

Publisher: Scholastic

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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I AM RUTH BADER GINSBURG

From the Ordinary People Change the World series

Quick and slick, but ably makes its case.

The distinguished jurist stands tall as a role model.

Not literally tall, of course—not only was she actually tiny but, as with all the other bobbleheaded caricatures in the “Ordinary People Change the World” series, Ginsburg, sporting huge eyeglasses on an outsize head over black judicial robes even in childhood, remains a doll-like figure in all of Eliopoulos’ cartoon scenes. It’s in the frank acknowledgment of the sexism and antisemitism she resolutely overcame as she went from reading about “real female heroes” to becoming one—and also the clear statement of how she so brilliantly applied the principle of “tikkun olam” (“repairing the world”) in her career to the notion that women and men should have the same legal rights—that her stature comes clear. For all the brevity of his profile, Meltzer spares some attention for her private life, too (“This is Marty. He loved me, and he loved my brains. So I married him!”). Other judicial activists of the past and present, all identified and including the current crop of female Supreme Court justices, line up with a diversely hued and abled group of younger followers to pay tribute in final scenes. “Fight for the things you care about,” as a typically savvy final quote has it, “but do it in a way that will lead others to join you.”

Quick and slick, but ably makes its case. (timeline, photos, source list, further reading) (Picture-book biography. 7-9)

Pub Date: Jan. 9, 2024

ISBN: 9780593533338

Page Count: 40

Publisher: Rocky Pond Books/Penguin

Review Posted Online: Oct. 7, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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