Politicians confront environmental doom in this prophetic and altruistic tale about the near future.
A presidential adviser becomes stuck in quarantine after exposure to a deadly pathogen in this political novel.
Lucia Jackson is America’s first Hispanic female president, and 34-year-old Aleks Verdan works alongside her in the White House as an environmental adviser. The tale takes place five years in the future, and it is a time of great ecological crisis. Hurricanes and typhoons have hit hard, pollution is out of control, and epidemics have become the norm. After a debriefing, Aleks learns he was exposed to a disease a doctor brought back from Tunisia, and he is locked away in quarantine for six days. The pod he is kept in is light, efficient, and designed by a genius before IKEA picked up the manufacturing. Aside from the furniture and his antibacterial clothing, Aleks has nothing but his tablet. With minimal communication from his keepers, Aleks pores through the tablet’s files and videos, revisiting his time in government. The portrait of a planet in crisis is harrowing and is tempered by the deft leadership of President Jackson, whose political savvy leads the world toward some sort of healing. Missing his partner, Keon, and distressed to have to be offline for so long, Alek continues his journeys into the recent past, which show an American government that is concerned with the big picture and the greater good but one that makes difficult moral decisions about humanity. As the days wear on, it becomes clear to Aleks that the six-day quarantine may go on longer, leaving him increasingly fearful for not just the globe, but himself. Baer’s (Beggar’s Chicken, 2013) not-quite-dystopian tale offers a frightening premise, and the details about world political, environmental, and health problems are intricate and impressive. The author’s ability to identify difficulties and design solutions through his characters gives the story an almost hopeful feeling about this dreaded future, imperfect as these fixes may be. The book is necessarily digressive, and under those constraints, Baer has managed to fill it with action. But some of the foreign conferences and their endless meetings can become tedious. The distressing ending compensates for all, serving as an indictment of a society in which politics has become a personality contest.
Politicians confront environmental doom in this prophetic and altruistic tale about the near future.Pub Date: Jan. 20, 2017
ISBN: 978-1-5427-7016-3
Page Count: 382
Publisher: CreateSpace
Review Posted Online: Feb. 23, 2017
Kirkus Reviews Issue: April 1, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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