Politicians confront environmental doom in this prophetic and altruistic tale about the near future.
A presidential adviser becomes stuck in quarantine after exposure to a deadly pathogen in this political novel.
Lucia Jackson is America’s first Hispanic female president, and 34-year-old Aleks Verdan works alongside her in the White House as an environmental adviser. The tale takes place five years in the future, and it is a time of great ecological crisis. Hurricanes and typhoons have hit hard, pollution is out of control, and epidemics have become the norm. After a debriefing, Aleks learns he was exposed to a disease a doctor brought back from Tunisia, and he is locked away in quarantine for six days. The pod he is kept in is light, efficient, and designed by a genius before IKEA picked up the manufacturing. Aside from the furniture and his antibacterial clothing, Aleks has nothing but his tablet. With minimal communication from his keepers, Aleks pores through the tablet’s files and videos, revisiting his time in government. The portrait of a planet in crisis is harrowing and is tempered by the deft leadership of President Jackson, whose political savvy leads the world toward some sort of healing. Missing his partner, Keon, and distressed to have to be offline for so long, Alek continues his journeys into the recent past, which show an American government that is concerned with the big picture and the greater good but one that makes difficult moral decisions about humanity. As the days wear on, it becomes clear to Aleks that the six-day quarantine may go on longer, leaving him increasingly fearful for not just the globe, but himself. Baer’s (Beggar’s Chicken, 2013) not-quite-dystopian tale offers a frightening premise, and the details about world political, environmental, and health problems are intricate and impressive. The author’s ability to identify difficulties and design solutions through his characters gives the story an almost hopeful feeling about this dreaded future, imperfect as these fixes may be. The book is necessarily digressive, and under those constraints, Baer has managed to fill it with action. But some of the foreign conferences and their endless meetings can become tedious. The distressing ending compensates for all, serving as an indictment of a society in which politics has become a personality contest.
Politicians confront environmental doom in this prophetic and altruistic tale about the near future.Pub Date: Jan. 20, 2017
ISBN: 978-1-5427-7016-3
Page Count: 382
Publisher: CreateSpace
Review Posted Online: Feb. 23, 2017
Kirkus Reviews Issue: April 1, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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