by Umberto Eco & translated by William Weaver ‧ RELEASE DATE: Oct. 15, 2002
A little learning, reputedly a dangerous thing, can be lethal when allowed to overpower a story as relentlessly as it does...
An adventurer who boasts of his proficiency as a liar unburdens his colorful history to a skeptical Greek historian during the siege of Constantinople in a.d. 1204: in this erudite and intermittently sluggish fourth novel from the philosopher-semiotician author (Foucault’s Pendulum, 1989, etc.).
The eponymous Baudolino, a resourceful cross between Voltaire’s Candide and Thomas Berger’s “Little Big Man,” is a lively enough narrator who regales his exhausted hearer (one Niketas Choniates) with the story of Baudolino’s agreeably misspent youth, his accidental meeting with warlord emperor Frederick Barbarossa, and the remarkable events that ensue when Frederick effectively adopts the clever stripling (possessed of “the gift of tongues”) and sends him to study in Paris. Bonding with several fellow students (including a moony would-be “Poet,” a love-starved half-Moor, and a pragmatic rabbinical scholar), Baudolino thereafter undertakes to compose a history of his benefactor’s exploits, helps defend a defiant city created to withstand Frederick’s anticipated sacking of it, and conceives a plan to locate the legendary Holy “Grasal” (a.k.a. “Grail”) and make it an offering from Barbarossa to the even more legendary Prester John, the fabulously wealthy Christian King of the Orient whose “sovereignty extended over the Three Indias . . . reach . . . [ing] the most remote deserts, as far as the tower of Babel.” None of this is nearly as much fun as it sounds, particularly since action is kept to a minimum while Eco permits his characters to engage in lengthy philosophical conversations—the least defensible being Baudolino’s Platonic dissection of the phenomenon of love with the beautiful half-woman, half-unicorn (Hypatia) who steals his heart. The wily cupiditous monk Zosimos, whose “necromancy” complicates our hero’s efforts, has a few good moments, and there are such incidental pleasures as the glimpse of Paradise reported by Baudolino’s dying father Gagliaudo (“It’s just like our stable, only all cleaned up”).
A little learning, reputedly a dangerous thing, can be lethal when allowed to overpower a story as relentlessly as it does in Baudolino.Pub Date: Oct. 15, 2002
ISBN: 0-15-100690-3
Page Count: 528
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2002
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by Umberto Eco ; translated by Alastair McEwen
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by Umberto Eco ; translated by Richard Dixon
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by Umberto Eco ; translated by Richard Dixon
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
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