While he wastes some time exposing cliches—Indians in westerns, unworthy sequels—that are cliches to expose, Eco...
Popular novelist (The Name of the Rose, 1983; Foucault's Pendulum, 1989) and notorious semiologist (at the Univ. of Bologna) Eco shows himself to be a journalist as well with this generally diverting volume of short pieces.
Eco calls these short essays diario minimo—minimal diaries—after the magazine column where he first published a series of such efforts (previously collected in Misreadings). The work presented here, much of which dates from the late '80s and early '90s, celebrates, or more often condemns, postmodern life in a style familiar to American readers. Occasional parodic fantasies in the mode of Borges or Calvino find Eco exploring the intriguing, if absurd, notion of a map in 1:1 scale, chronicling race relations in a future universe populated by humorously bizarre alien life-forms, or describing watches whose features cause one to lose track of the time. But Eco focuses on articulating his amusing complaints, analyzing our quotidian myths with light touches and lamentations that will recall Andy Rooney and Erma Bombeck—at best, an academic Mike Royko—sooner than Roland Barthes. Pieces on once-current events have been carefully excluded, but most of these essays remain essentially journalistic in their devotion to exploring contemporary life. The title piece pits Eco against an English hotel bureaucracy intent on making it difficult for him to refrigerate an expensive salmon that he has brought from Copenhagen; others mock "how-to'' essays—on fax machines and cellular telephones, for example; there are cautionary tales of encounters with Amtrak trains and Roman cabs. All have as their subtext the chaos brought in the wake of unbridled technological innovation and intercontinental travel.
While he wastes some time exposing cliches—Indians in westerns, unworthy sequels—that are cliches to expose, Eco entertains with his clever reflections and with his unique persona, the featured player in his stories.Pub Date: Oct. 1, 1994
ISBN: 0-15-100136-7
Page Count: 208
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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