Italy’s most celebrated public intellectual gathers five essays that focus (more or less) on how lunatic misunderstandings concerning the perfect language have led to new discoveries (sort of). Eco (The Name of the Rose, 1983, etc.; Semiotics/Univ. of Bologna) remains Italy’s most successful and prolific writer. He is a novelist, cultural commentator, essayist, literary critic, and scholar of language. The present volume of essays is spun off his work on the historical search for the “perfect language,— i.e., the language that God gave Adam, the one that was lost in the catastrophe at the Tower of Babel. But the conceit with which he rather unsuccessfully attempts to unify the book is this: the search in the cases he explores always involves either outright errors or otherwise fictional inventions that have somehow led to positive discovery. After all, Columbus accidentally discovered the New World owing to miscalculations about the size of the earth. Eco sees similar situations in the history of language. For example, a 16th-century Jesuit, Father Athanasius Kircher, fancifully and elaborately interpreted ancient Egyptian hieroglyphics as the lost language of the Garden of Eden. “Kircher was wildly wrong. Still, notwithstanding his eventual failure, he is the father of Egyptology.” This and similar disappointingly general findings do not satisfyingly deliver on the promise that the errors serendipitously produce truth. But all is not lost. The meandering erudition of Eco’s book is interesting enough in its own right. He speculates, for example, that Dante believed his own Italian vernacular, as distinct from official Latin, was in fact an echo of Adam’s perfect language. And, he examines philosophical attempts by Leibniz and others to recreate a perfect language and Joseph de Maistre’s combination of linguistic mysticism and reactionary politics. The genial Eco may have had the lay reader in mind when he wrote these essays (which were originally lectures), but his book of linguistic arcana is also of avowedly esoteric interest.
Pub Date: Oct. 8, 1998
ISBN: 0-231-11134-7
Page Count: 128
Publisher: Columbia Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1998
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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