An imaginative romance of shipwreck, survival, and philosophical adventuring by the formidably learned author of The Name of the Rose (1983), Foucault's Pendulum (1989), and, most recently, How to Travel with a Salmon and Other Essays (1994). In 1643, highborn Roberto della Griva, a soldier who has fought in the Thirty Years' War and subsequently been sent on a secret mission to the Antipodes, is shipwrecked in the South Pacific somewhere near the Fiji and Solomon Islands. He saves himself by clambering aboard another shipthe abandoned Daphne. Finding in its hold sufficient provisions and supplies, and gradually recovering his strength and his wits, Roberto records the events of his past lifehis sheltered boyhood in Italy, confused exposure to the temporal claims of political allegiance, love of learning for its own sake, and sobering experience as devoted postulant to his scarcely approachable love objects. The tale of Roberto then is juxtaposed against his cautious exploration of the Daphne now, climaxing in the surprising fulfillment of his fears that the ``intruder'' whose companion presence he suspects may be the ``evil twin brother'' he has always had fantasies of. Simultaneously, a nameless omniscient narrator summarizes the record Roberto has left behind, ruefully assessing the latter's amazed discovery that the complexity of creation proves all things possibleincluding the contrary lives led by our alternative selves. Eco tests his readers severely, especially in detailed considerations of the mechanics of navigation and ``the mystery of longitude.'' Yet even this novel's denser arcana are embodied in vivid characters speaking lively and funny dialogue. Prominent among Roberto's reality instructors are his genially blasphemous and metaphysically-minded father, inventor of an Aristotelian Memory Machine; his aphorism-spouting comrade-in-arms Saint-Savin; and the alarmingly polymathic scientist-priest, Father Caspar Wanderdrossel. Though weighted here and there by the longueurs of whimsy, this is on balance an intriguing and entertaining theoretical rompa kind of Borgesian Robinson Crusoe. (First printing of 300,000; author tour)
Pub Date: Nov. 1, 1995
ISBN: 0-15-100151-0
Page Count: 544
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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