by Umberto Eco ‧ RELEASE DATE: Sept. 1, 1995
This dense archival study finds philosopher/novelist/essayist Eco (Semiotics/Univ. of Bologna, Italy; Foucault's Pendulum, 1989, etc.) excavating the labyrinthine history of early modern European linguistics. Eco traces how the desire to findor, failing that, to forgethe ideal language motivated a series of philosophers to develop some of our most fundamental structures of thought. One line of descent begins with the Jewish Kabbalism of the Middle Ages. Kabbalistic practices of interpreting Torah by working out anagrams and other linguistic combinations inspired a host of philosophers. One key figure was Raymond Lull, a Christian mystic who sought to produce a new evangelical language. While Lull failed, his efforts influenced not only the magic languages of such occult figures as Jonathan Dee, Queen Elizabeth's astrologer, but also the scientific logic and encyclopedism of Enlightenment giants like Leibniz. Eco also traces how the search for the perfect language gave rise to linguistic ideas of history and national identity. Various thinkers sought to recapture the first language, some speculating on the secrets of the Garden of Eden, others attempting to decipher Egyptian hieroglyphs. Authors such as Dante, in contrast, sought to legitimate their national vernaculars as potentially perfect. From these roots developed the scientifically modern but ethically hazardous project of tracing etymologies back to a common Indo-European, or Aryan, ur-language. A few purple passages aside, Eco focuses on complete coverage rather than on imaginative recreation. Thus, while the text is readable, even intriguing in places, the general reader perusing this volume should anticipate some tough going. The Tower of Babel; Leibniz's ``passion for universal peace''; Renaissance espionage techniques; the 20th century project of Esperanto: Eco has intriguing subject matter to work with here. But some of the material is so leaden, even Eco's magical wit can't turn it all to gold.
Pub Date: Sept. 1, 1995
ISBN: 0-631-17465-6
Page Count: 350
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1995
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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