by Umberto Eco & translated by Alastair McEwen ‧ RELEASE DATE: Nov. 1, 2007
Entertainment and a bit of wisdom for a thinking audience.
The prolific novelist, essayist and philosopher comes this time as a latter-day Walter Lippmann in this gathering of journalism, most of which first appeared in two Italian newspapers.
Eco (The Mysterious Flame of Queen Loana, 2005, etc.) considers the disquieting retrograde circumstances of world civilization, discussing topics as diverse as racism, Harry Potter and the Tower of Babel. He urges us to be aware of the difference between science (generally a good thing) and technology (sometimes not so good). He notes that, since the end of the Cold War, “paleowar” has given way to “neowar”; armed conflict now has no front and, ultimately, no winner. Neowar is media-based and the cure is unlikely: universal peace. Eco’s wide-ranging journalism speculates on the difficulties of theocracy and private schools, on the instructions of Mussolini and Thucydides, on the uses of the crucifix and the soul of an embryo. He also has some witty things to say about The Da Vinci Code and Mel Gibson’s version of The Passion. Throughout, Eco provokes readers with his arsenal of classical learning and easy humor. He reflects on anti-Semitism, Latin etymology, fundamentalist hermeneutics, village idiots (aka politicians) and, finally, death. Though some commentary is dated (e.g., what will become of Saddam?), the writing exudes an easygoing, natural intelligence. Italian politics, especially some easy potshots at the Berlusconi regime, gets much ink. (Lest readers this side of the Atlantic tend to nod, be assured there are lessons to be learned when such politicos make state interests coincide with their private interests.) The sagacious author, a professional semiotician, presents commentary on the difficulties of communication, with exposures of bunkum and cant reminiscent of Orwell. If confusion still exists, he declares, “I’m not the one who confuses ideas; we have merely discussed ideas that are confused, and it’s a good thing if we understand that they are confused…”
Entertainment and a bit of wisdom for a thinking audience.Pub Date: Nov. 1, 2007
ISBN: 978-0-15-101351-7
Page Count: 368
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2007
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by Umberto Eco ; translated by Richard Dixon
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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