by Uncle Ian Aurora ; illustrated by Natalia Moore ‧ RELEASE DATE: March 5, 2019
If read with the right amount of verve (and it’s hard not to), this book should spice up storytimes.
This bright and lively book requires readers to move, make noise, and enjoy.
From the very first page this book invites readers to get up and join in—literally: “Everybody up! It’s time to get moving!” A tan-skinned child with flowing brown hair instructs readers to stomp and clap along with a diverse group of friends in various scenarios and settings. Whether it’s a hillside, a beach, a grassy park, a snowy wood, a preschool classroom, or the living room couch, it’s always the perfect place to stomp and clap, wiggle and giggle with a friend. The text is rhythmic and silly: “Stomp just a LITTLE as you wiggle all your toes. / Stomp SIX times while you’re tapping on your nose.” Imagination is encouraged (“Stomp like you’re SITTING on a horse you like to ride”), as is taking a pause (“Stop for a second, stretch your body really wide”). Though the kids are taking the lead, the occasional benevolent adult also appears, drawn from a cast that’s diverse racially as well as gender- and agewise. There is little logic to the sequence, but that’s hardly the point: The illustrations blend vibrant colors and textures to create a vibe that matches the message.
If read with the right amount of verve (and it’s hard not to), this book should spice up storytimes. (Picture book. 3-6)Pub Date: March 5, 2019
ISBN: 978-1-4867-1554-1
Page Count: 32
Publisher: Flowerpot Press
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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by Uncle Ian Aurora ; illustrated by Natalia Moore
by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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by Chloe Perkins ; illustrated by Dinara Mirtalipova
BOOK REVIEW
by Chloe Perkins ; illustrated by Archana Sreenivasan
by Julia Donaldson illustrated by Axel Scheffler ‧ RELEASE DATE: June 1, 1999
The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)
Pub Date: June 1, 1999
ISBN: 0-8037-2386-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1999
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by Julia Donaldson ; illustrated by Catherine Rayner
BOOK REVIEW
by Julia Donaldson ; illustrated by Axel Scheffler
BOOK REVIEW
by Julia Donaldson ; illustrated by Axel Scheffler
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SEEN & HEARD
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