illustrated by Uri Shulevitz ‧ RELEASE DATE: Feb. 1, 1979
As Jacobs tells it in "The Pedlar of Swaffham" and two 1971 picture-book versions set forth, a poor man is directed by a dream to London Bridge, where a shopkeeper dismissively recites his dream of a treasure buried in the traveler's own back yard. Here the dreamer is a poor old man named Isaac (Jewish? Shulevitz doesn't say), the setting indefinite (just "a bridge by the Royal Palace"), and instead of a church the man builds an unspecified "house of prayer" in Thanksgiving. What Shulevitz gives up in cultural specificity he apparently seeks to gain in a kind of generalized holiness; his lovely colors glow with what might well be taken for celestial light. But, a child might ask—the house of prayer notwithstanding—what's so holy about going off and back for a treasure? And, visually, what's so interesting about a solitary old man walking through forests and mountains and then back again to his own cramped street? Without the associations of a particular faith or setting, we have only the old man's conclusion: "Sometimes one must travel far to discover what is near"—a message unlikely to ring bells at the picture-book level.
Pub Date: Feb. 1, 1979
ISBN: 0374479550
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 9, 2012
Kirkus Reviews Issue: Feb. 1, 1979
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IN THE NEWS
by Lisa Tawn Bergren & illustrated by Laura J. Bryant ‧ RELEASE DATE: Jan. 15, 2013
Fans of this popular series will find this a rewarding addition to family Easter celebrations.
Bergren and Bryant attempt to explain Easter to young children in a gentle, nonthreatening manner, with partial success.
When Little Cub questions her father about Easter, Papa Bear explains the religious significance of the holiday in various symbolic ways to his cub. He uses familiar things from their world, such as an egg and a fallen tree, to draw parallels with aspects of the Christian story. Papa Bear discusses his close relationships with Jesus and God, encouraging Little Cub to communicate with God on her own. The theme focuses on the renewal of life and the positive aspects of loving God and Jesus. Easter is presented as a celebration of eternal life, but the story skirts the issue of the crucifixion entirely. Some adults will find this an inadequate or even dishonest approach to the Easter story, but others will appreciate the calm and soothing text as a way to begin to understand a difficult subject. Bryant’s charming watercolor illustrations of the polar bear family, their cozy home and snowy forest scenes add to the overall mellow effect.
Fans of this popular series will find this a rewarding addition to family Easter celebrations. (Religion/picture book. 3-6)Pub Date: Jan. 15, 2013
ISBN: 978-0-307-73072-5
Page Count: 40
Publisher: WaterBrook
Review Posted Online: Dec. 11, 2012
Kirkus Reviews Issue: Jan. 1, 2013
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by C.S. Lewis & illustrated by Pauline Baynes ‧ RELEASE DATE: Nov. 6, 1950
Although metaphysical rumblings may disturb adults, this wily symbolism-studded fantasy should appeal to children of an imaginative turn. While exploring an old English mansion, the four children—Peter, Susan, Edmund and Lucy—discover through passing into a wardrobe, the strange land of Narnia, where it is winter without ever becoming Christmas. The children soon are swept up in the terror of the rule of the White Witch, fighting with the other subjects—all animals—and the glorious Lion, Asian, who brings spring and hope with him. In spite of the White Witch's terrific enslavement of Edmund, her horrid power, which changes living things to stone, and the sacrificial death of Aslan, the forces of light win, the children are made kings and queens, and Asian returns to life. The plot thickens to a pretty heavy pudding at the end, but the prose is witty and the novel action is fast-moving. Not recommended for adults!
Pub Date: Nov. 6, 1950
ISBN: 978-0-06-171505-1
Page Count: -
Publisher: Macmillan
Review Posted Online: April 9, 2012
Kirkus Reviews Issue: Nov. 1, 1950
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