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VOICES

For 17 years, the great trade city of Ansul has been occupied by the Ald invaders, the university destroyed, the library sacked. The Alds, mistrustful of print, carry out purges of books that have left the city bare of the written word—except for one secret room in the once-great house of Galva, to which only the crippled Lord of Galva and teenaged Memer can gain entry. Into the city come Orrec and Gry, older than they were in Gifts (2004), a storyteller and his animal-tamer wife come to seek out the lost books of Ansul. LeGuin spins a tale fraught with political tension, as Memer watches Orrec move back and forth between the Galvas and the Ald overlord of Ansul. The Alds are religious fanatics who deny Ansul’s many gods, view women as chattel and fear books as demons—parallels with 21st-century politics are clear, but the novel’s world-building is thorough enough not to bludgeon readers with allegory. LeGuin allows them, along with Memer, to see that there may be alternatives to violence and that the power of narrative, spoken or written, is not to be denied. (Fiction. 12 )

Pub Date: Sept. 1, 2006

ISBN: 0-15-205678-5

Page Count: 352

Publisher: Harcourt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 1, 2006

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THE POISONED KING

From the Impossible Creatures series , Vol. 2

A spectacular return to a magical world.

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Following the events of Impossible Creatures (2024), a devoted Guardian teams up with a brave princess to fight her power-hungry uncle and save the Archipelago’s dragons from a strange new threat.

Jacques the dragon summons Christopher Forrester back to the Archipelago from the human world: Dragons are dying, and no one knows why. Meanwhile, on the island of Dousha, Princess Anya’s grandfather, King Halam, has been murdered, and her father accused—though she knows he’s innocent. When Christopher and Anya take refuge on the islet of Glimt, the Berserker Nighthand helps them see how their twin missions to save the dragons and free Anya’s father are connected. They work together to create an antidote for the poison that’s killing the dragons and to keep Anya and her father safe from her murderous uncle. Meanwhile, Nighthand and Irian, the part-nereid ocean scholar, pursue their own important secret mission. Divided into three parts—“Castle,” “Dragons,” and “Revenge”—and containing elements of fairy tales, fantasy, and Shakespeare, this story continues the storyline established in the series opener, yet because it introduces new characters and obstacles, it could also stand alone. Dark-blond Anya (“five feet tall and all of it claws”) is a match for white-presenting Christopher, who, though he still misses Mal, finds that “it made a difference to have someone to move through the world with again. A friend changed the feel of the universe.” Mackenzie’s delicate, otherworldly art adorns the text.

A spectacular return to a magical world. (map, bestiary) (Fantasy. 10-15)

Pub Date: Sept. 11, 2025

ISBN: 9780593809907

Page Count: 304

Publisher: Knopf

Review Posted Online: May 30, 2025

Kirkus Reviews Issue: July 1, 2025

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THE GIVER

From the Giver Quartet series , Vol. 1

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...

In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.

As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.

Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)

Pub Date: April 1, 1993

ISBN: 978-0-395-64566-6

Page Count: 208

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1993

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