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HEADHUNTER

The second of German author's Timm's five novels to be translated into English (The Snake Tree, 1990) gleefully targets everything we love to hate about the 1980's—heartless greed, financial speculation, yuppie food faddists, overpriced doctors, artists with inflated reputations and bank accounts to match. Timm writes with a gusto and an abundance of earthy anecdote reminiscent of Saul Bellow in his vital youth. Like Bellow, he's in love with his hometown, the patrician-proletarian port city of Hamburg, and stuffs his book with street names, legends, weather, landscapes, and history. Peter Walter, a dreamer adrift in the overheated world of high-tech high finance, is on the lam from the law and his own conscience (embodied by a prissy meddling uncle) after having been found guilty of defrauding 69 customers in complex commodity speculations. We follow him from an upscale hideout in southern Spain to Brazil and on to Easter Island, an obsession ever since childhood, when said uncle told Walter that his missing father—a Swedish sailor—was there. While running, our picaresque hero/narrator tells his tale of upward mobile woe—from birth and poverty in Hamburg's red-light district to the moment of escape from jail. Flashbacks within flashbacks and some rather heavily drawn parallels between the cannibals of Easter Island and the dog-eat-dog world of high finance clog forward motion. But there's so much fun along the way it hardly matters. Walter's escapades as a window dresser fired for posing mannequins in obscene positions; as a fast-talking and empathetic insurance salesman; his business partner's escape from East Germany across the Baltic on a homemade surfboard, and a whole string of gritty populist reminiscences about the war years make lively reading. Witty asides, mini-lectures on the nature of capitalism, the failure of socialism, the fetishistic appeal of coin and paper money, and ``chaos ideology'' round out this comic, disabused fantasia on themes from das Kapital. Marx would have cracked a grudging smile.

Pub Date: Jan. 1, 1994

ISBN: 0-8112-1254-8

Page Count: 432

Publisher: New Directions

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1993

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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