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WORLD OF WONDER

Contains some valuable insights, but little ones aren’t likely to clamor for rereads.

A child explores the world, sharing emotional wisdom.

Broad lines, big shapes, and bright colors form a beachy landscape where a dark-skinned parent, a brown-skinned kid, and a variety of other people play and swim. Wonder Baby, narrating in simple rhyming verse, describes the world with enthusiastic curiosity, repeating often, “Wow! WHOA! / You’re a part of me / I don’t yet know.” This refrain is also a key tenet of the author’s socially focused nonprofit, the Revolutionary Love Project, which could explain why this is less a story and more a meandering assortment of musings. A few spot illustrations introduce some relatable tension: Wonder Baby hears “sad stories,” sees an unhoused person and a candlelight vigil, and marches in a racially diverse crowd under a vague sign promoting “justice.” A double-page spread suffused with angry red waves depicts Wonder Baby overwhelmed by “tears / and fire inside.” But Wonder Baby rallies, declaring that “each feeling / plays a special part / in showing me / how to love my heart.” When another child kicks Wonder Baby’s toys, Wonder Baby responds with compassion; the book concludes with the protagonist marveling at the vastness of our world. Though the art’s thoughtful compositions are evocative, the preachiness of the text muffles its emotional resonance. Rather than a meaningful journey, this is a mishmash of affirmations.

Contains some valuable insights, but little ones aren’t likely to clamor for rereads. (Picture book. 3-6)

Pub Date: Aug. 6, 2024

ISBN: 9780593531556

Page Count: 32

Publisher: Kokila

Review Posted Online: May 31, 2024

Kirkus Reviews Issue: July 1, 2024

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PEANUT BUTTER & CUPCAKE

Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school...

The familiar theme of the challenges facing a new kid in town is given an original treatment by photographer Border in this book of photos of three-dimensional objects in a simple modeled landscape.

Peanut Butter is represented by a slice of white bread spread with the popular condiment. The other characters in the story—a hamburger with a pair of hot dogs in tow, a bowl of alphabet soup, a meatball jumping a rope of spaghetti, a carton of French fries and a pink cupcake—are represented by skillfully crafted models of these foods, anthropomorphized using simple wire construction. Rejected by each character in turn in his search for playmates, Peanut Butter discovers in the end that Jelly is his true match (not Cupcake, as the title suggests), perhaps because she is the only one who looks like him, being a slice of white bread spread with jelly. The friendly foods end up happily playing soccer together. Some parents may have trouble with the unabashedly happy depiction of carbs and American junk food (no carrots or celery sticks in this landscape), and others may find themselves troubled by the implication that friendship across difference is impossible.

Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school experiences. (Picture book. 3-6)

Pub Date: July 29, 2014

ISBN: 978-0-399-16773-7

Page Count: 32

Publisher: Philomel

Review Posted Online: May 13, 2014

Kirkus Reviews Issue: June 1, 2014

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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